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⚫ {{Short description|American dance academic}}
⚫ {{Draft topics|women|performing-arts}}
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{{AFC comment|1=All cited sources are either not independent of the subject or are simple listings. We need significant coverage in independent reliable (and preferably secondary) sources for an article. ] (]) 22:14, 24 December 2024 (UTC)}} {{AFC comment|1=All cited sources are either not independent of the subject or are simple listings. We need significant coverage in independent reliable (and preferably secondary) sources for an article. ] (]) 22:14, 24 December 2024 (UTC)}}
{{AFC comment|1=I started adding in reviews of her work as a step towards meeting the notability requirements of ]. ] (]) 17:45, 16 January 2025 (UTC)}}


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⚫ {{Short description|American dance academic}}
⚫ {{Draft topics|women|performing-arts}}
⚫ {{AfC topic|blp}}


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'''Kate Elswit''' (born 1980 in ]) is an American dance scholar and the head of digital research at ]. Elswit is Professor of performance and technology, as well as a practicing artist. She is the co-founder of the ]<ref>{{cite web |title=Expanding Excellence in England (E3) Round 2 – Funded Projects |url=https://www.ukri.org/wp-content/uploads/2024/01/RE-180124-ExpandingExcellenceEnglandE3Fund-Round2FundedProjects.pdf#page=4 |website=UK Research and Innovation |date=16 January 2024 |access-date=10 January 2025}}</ref><ref>{{cite web |title=Central School awarded £5.6 million to set up performance and technology centre |url=https://www.thestage.co.uk/news/central-school-awarded-56-million-to-set-up-performance-and-technology-centre |website=The Stage |access-date=10 January 2025}}</ref> at ]<ref>{{cite web |title=Central receives |url=https://www.cssd.ac.uk/news/central-receives-research-england-investment-to-establish-performance-technology-equity-centre |website=Royal Central School of Speech & Drama |date=17 January 2024 |access-date=November 26, 2024}}</ref>, an associate editor of ]<ref>{{cite web |title=Johns Hopkins University Press, Theatre Journal |url=https://www.press.jhu.edu/journals/theatre-journal |website=Johns Hopkins University Press |access-date=10 January 2025}}</ref>, an associate editor in Drama, Dance, Performance of ]<ref>{{cite web |title=Johns Hopkins University Press, ASAP/Journal |url=https://www.press.jhu.edu/journals/asapjournal|website=Johns Hopkins University Press |access-date=10 January 2025}}</ref>, and is a member of the Peer Review College of the United Kingdom's Arts and Humanities Research Council<ref>{{cite web |title=AHRC Peer Review College |url=https://public.tableau.com/app/profile/arts.and.humanities.research.council/viz/AHRCPeerReviewCollege/CurrentPeerReviewCollegeMembers |website=AHRC Peer Review College by Arts and Humanities Research Council |access-date=10 January 2025}}</ref>. Elswit is co-editor of the New World Choreographies book series.<ref>{{cite web |title=New World Choreographies Editors |url=https://link.springer.com/series/14729/editors |website=Springer Nature |access-date=November 26, 2024}}</ref>, and also sits on the editorial board for ]<ref>{{cite web |title=Editorial Team Performance Matters |url=https://performancematters-thejournal.com/index.php/pm/about/editorialTeam |website=Performance Matters |access-date=November 26, 2024}}</ref> as well as the college of expert reviewers for the ]. She has been granted over £1 million since 2022 for a variety of different research projects focused on dance and archival material<ref>{{cite web=Kate Elswit, Projects |url=https://gtr.ukri.org/person/918665CA-4E55-4CE3-9A6D-AF6A20296843 |website=UK Research and Innovation |access-date=10 January 2025}}</ref>. '''Kate Elswit''' (born 1980 in ]) is an American dance scholar and the head of digital research at ]. Elswit is Professor of performance and technology, as well as a practicing artist. She is the co-founder of the ]<ref>{{cite web |title=Expanding Excellence in England (E3) Round 2 – Funded Projects |url=https://www.ukri.org/wp-content/uploads/2024/01/RE-180124-ExpandingExcellenceEnglandE3Fund-Round2FundedProjects.pdf#page=4 |website=UK Research and Innovation |date=16 January 2024 |access-date=10 January 2025}}</ref><ref>{{cite web |title=Central School awarded £5.6 million to set up performance and technology centre |url=https://www.thestage.co.uk/news/central-school-awarded-56-million-to-set-up-performance-and-technology-centre |website=The Stage |access-date=10 January 2025}}</ref> at ]<ref>{{cite web |title=Central receives £5.6 million from Research England to establish a Centre for Performance, Technology, and Equity |url=https://www.cssd.ac.uk/news/central-receives-research-england-investment-to-establish-performance-technology-equity-centre |website=Royal Central School of Speech & Drama |date=17 January 2024 |access-date=November 26, 2024}}</ref>, an associate editor of ]<ref>{{cite web |title=Theatre Journal |url=https://www.press.jhu.edu/journals/theatre-journal |website=Johns Hopkins University Press |access-date=10 January 2025}}</ref>, an associate editor in Drama, Dance, Performance of ]<ref>{{cite web |title=ASAP/Journal |url=https://www.press.jhu.edu/journals/asapjournal|website=Johns Hopkins University Press |access-date=10 January 2025}}</ref>, and is a member of the Peer Review College of the United Kingdom's Arts and Humanities Research Council<ref>{{cite web |title=AHRC Peer Review College |url=https://public.tableau.com/app/profile/arts.and.humanities.research.council/viz/AHRCPeerReviewCollege/CurrentPeerReviewCollegeMembers |website=AHRC Peer Review College by Arts and Humanities Research Council |access-date=10 January 2025}}</ref>. Elswit is co-editor of the New World Choreographies book series.<ref>{{cite web |title=New World Choreographies Editors |url=https://link.springer.com/series/14729/editors |website=Springer Nature |access-date=November 26, 2024}}</ref>, and also sits on the editorial board for ]<ref>{{cite web |title=Editorial Team Performance Matters |url=https://performancematters-thejournal.com/index.php/pm/about/editorialTeam |website=Performance Matters |access-date=November 26, 2024}}</ref> as well as the college of expert reviewers for the ]. She has been granted over £1 million since 2022 for a variety of different research projects focused on dance and archival material<ref>{{cite web |title=Kate Elswit, Projects |url=https://gtr.ukri.org/person/918665CA-4E55-4CE3-9A6D-AF6A20296843 |website=UK Research and Innovation |access-date=10 January 2025}}</ref>.


==Early life== ==Early life==
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==Moving Data Studio== ==Moving Data Studio==
In 2021, Elswit co-founded the information visualization and interaction design company , with Ohio State University professor Harmony Bench. Their project '': Katherine Dunham and Digital Methods for Dance Historical Inquiry'' won the 2021 ATHE/ASTR Award for Excellence in Digital Scholarship.<ref>{{cite web |title=Association for Theatre in Higher Education Past Awardees |url=https://www.athe.org/page/Past_Awardees |website=ATHE |access-date=November 26, 2024}}</ref> In 2021, Elswit co-founded the information visualization and interaction design company Moving Data Studio, with Ohio State University professor Harmony Bench. Their project ''Dunham's Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry''<ref>{{Cite journal |last=Rajko |first=Jessica |date=2023 |title=DUNHAM'S DATA: KATHERINE DUNHAM AND DIGITAL METHODS FOR DANCE HISTORICAL INQUIRY by Kate Elswit, Harmony Bench, Antonio Jimenez-Mavillard, Tia-Monique Uzor, and Takiyah Nur Amin |url=https://www.cambridge.org/core/product/identifier/S0149767723000256/type/journal_article |journal=Dance Research Journal |language=en |volume=55 |issue=2 |pages=98–101 |doi=10.1017/S0149767723000256 |issn=0149-7677}}</ref> won the 2021 ATHE/ASTR Award for Excellence in Digital Scholarship.<ref>{{cite web |title=Association for Theatre in Higher Education Past Awardees |url=https://www.athe.org/page/Past_Awardees |website=ATHE |access-date=November 26, 2024}}</ref>


Moving Data Studio's breakaway archival and information visualization installation on dancer and choreographer ] was commissioned<ref>{{cite web |title=Review: Edges of Ailey |url=https://observer.com/2024/10/art-review-edges-of-ailey-the-whitney/ |website=Observer |date=16 October 2024 |access-date=November 26, 2024}}</ref><ref>{{cite web |title=Edges of Ailey: Alvin Ailey and the Making of Dance History |url=https://www.villagevoice.com/edges-of-ailey-alvin-ailey-and-the-making-of-dance-history/ |website=The Village Voice |access-date=10 January 2025}}</ref> by the ] exhibition ''Edges of Ailey'' exhibit in 2024.<ref>{{cite web |title=Edges of Ailey |url=https://whitney.org/exhibitions/edges-of-ailey |website=Whitney |access-date=November 26, 2024}}</ref> ] newspaper called this information visualization an "unexpected delight." Moving Data Studio's breakaway archival and information visualization installation on dancer and choreographer ] was commissioned<ref>{{cite web |title=Review: Edges of Ailey |url=https://observer.com/2024/10/art-review-edges-of-ailey-the-whitney/ |website=Observer |date=16 October 2024 |access-date=November 26, 2024}}</ref><ref>{{cite web |title=Edges of Ailey: Alvin Ailey and the Making of Dance History |url=https://www.villagevoice.com/edges-of-ailey-alvin-ailey-and-the-making-of-dance-history/ |website=The Village Voice |date=21 November 2024 |access-date=10 January 2025}}</ref> by the ] exhibition ''Edges of Ailey'' exhibit in 2024.<ref>{{cite web |title=Edges of Ailey |url=https://whitney.org/exhibitions/edges-of-ailey |website=Whitney |access-date=November 26, 2024}}</ref> ] newspaper called this information visualization an "unexpected delight."


==Awards and accolades== ==Awards and accolades==
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==Publications== ==Publications==
===Books=== ===Books===
*''Watching Weimar Dance''. Oxford University Press, New York 2014, ISBN 9780199844838<ref>{{cite web |title=Watching Weimar Dance Paperback |url=https://global.oup.com/academic/product/watching-weimar-dance-9780199844838 |website=Oxford University Press |access-date=November 26, 2024}}</ref> *''Watching Weimar Dance''. Oxford University Press, New York 2014, ISBN 9780199844838<ref>{{cite web |title=Watching Weimar Dance Paperback |url=https://global.oup.com/academic/product/watching-weimar-dance-9780199844838 |website=Oxford University Press |access-date=November 26, 2024}}</ref><ref>Reviews of ''Watching Weimar Dance''
*{{Cite journal |last=Funkenstein |first=Susan |date=2015 |title=Review of Watching Weimar Dance |url=https://www.jstor.org/stable/43966894 |journal=Dance Research Journal |volume=47 |issue=3 |pages=114–117 |issn=0149-7677}}
⚫ *''Theatre & Dance''. Palgrave Macmillan, London 2018, ISBN 978-1137605740<ref>{{cite web |title=Theatre and Dance |url=https://www.bloomsbury.com/us/theatre-and-dance-9781137605757/ |website=Bloomsbury |access-date=November 26, 2024}}</ref>
*{{Cite journal |last=Newhall |first=Mary Anne Santos |date=2017 |title=Review of Watching Weimar Dance |url=https://www.jstor.org/stable/26814310 |journal=TDR (1988-) |volume=61 |issue=2 |pages=175–177 |issn=1054-2043}}
*{{Cite journal |last=Jackson |first=George |date=2015 |editor-last=Elswit |editor-first=Kate |title=Parsing Dance's Public |url=https://www.jstor.org/stable/24813910 |journal=Dance Chronicle |volume=38 |issue=2 |pages=243–249 |issn=0147-2526}}</ref>
⚫ *''Theatre & Dance''. Palgrave Macmillan, London 2018, ISBN 978-1137605740<ref>{{cite web |title=Theatre and Dance |url=https://www.bloomsbury.com/us/theatre-and-dance-9781137605757/ |website=Bloomsbury |access-date=November 26, 2024}}</ref><ref>Review of ''Theatre & Dance''
*{{Cite journal |last=Nereson |first=Ariel |date=2019 |title=Theatre & Dance. By Kate Elswit. Theatre And. London: Palgrave Macmillan, 2018; pp. viii + 93. $9.99 paper, $8.99 e-book. |url=https://www.cambridge.org/core/product/identifier/S0040557419000358/type/journal_article |journal=Theatre Survey |language=en |volume=60 |issue=03 |pages=483–485 |doi=10.1017/S0040557419000358 |issn=0040-5574}}</ref>


===Articles=== ===Articles===
⚫ *“The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss”. Modern Drama, 51.3 (2008), Theatre and Medicine, 389-410.
⚫ *“‘Berlin . . . Your Dance Partner is Death’”. TDR/The Drama Review, 53.1 (2009), 73-92.
⚫ *“So You Think You Can Dance Does Dance Studies”. TDR/The Drama Review, 56.1 (2012), 133-142.
⚫ *“Ten Evenings with Pina: Bausch’s ‘Late’ Style and the Cultural Politics of Co-Production”. Theatre Journal, 65.2 (2013), 215-233.
⚫ *“Dancing With Our Coronasphere to Navigate the Pandemic”. Dance Magazine (July 2020).<ref>{{cite web |title=Dancing With Our Coronasphere to Navigate the Pandemic |url=https://www.dancemagazine.com/six-feet-distance/?share_id=5658978 |website=Dance Magazine | date=20 July 2020 |access-date=November 26, 2024}}</ref>
*“Dancing with Coronaspheres: Expanded Breath Bodies and the Politics of Public Movement in the Age of COVID-19”. Cultural Studies 37.6 (2022), 894-916. *“Dancing with Coronaspheres: Expanded Breath Bodies and the Politics of Public Movement in the Age of COVID-19”. Cultural Studies 37.6 (2022), 894-916.
*“Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces” (with Harmony Bench). TDR: The Drama Review 66.1 (2022), 37-61. *“Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces” (with Harmony Bench). TDR: The Drama Review 66.1 (2022), 37-61.
⚫ *“Dancing With Our Coronasphere to Navigate the Pandemic”. Dance Magazine (July 2020).<ref>{{cite web |title=Dancine With Our |url=https://www.dancemagazine.com/six-feet-distance/?share_id=5658978 |website=Dance Magazine | date=20 July 2020 |access-date=November 26, 2024}}</ref>
⚫ *“Ten Evenings with Pina: Bausch’s ‘Late’ Style and the Cultural Politics of Co-Production”. Theatre Journal, 65.2 (2013), 215-233.
⚫ *“So You Think You Can Dance Does Dance Studies”. TDR/The Drama Review, 56.1 (2012), 133-142.
⚫ *“‘Berlin . . . Your Dance Partner is Death’”. TDR/The Drama Review, 53.1 (2009), 73-92.
⚫ *“The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss”. Modern Drama, 51.3 (2008), Theatre and Medicine, 389-410.


===Talks=== ===Talks===

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Kate Elswit
Dance scholar Kate Elswit speaking behind a podium
Born1980
New York City, U.S.
TitleProfessor
Academic background
Education
Doctoral advisorLucia Ruprecht
Academic work
Discipline
Institutions
Websitehttps://www.kateelswit.org/

Kate Elswit (born 1980 in New York City) is an American dance scholar and the head of digital research at Royal Central School of Speech and Drama. Elswit is Professor of performance and technology, as well as a practicing artist. She is the co-founder of the Centre for Performance, Technology & Equity at Central, an associate editor of Theatre Journal, an associate editor in Drama, Dance, Performance of ASAP/Journal, and is a member of the Peer Review College of the United Kingdom's Arts and Humanities Research Council. Elswit is co-editor of the New World Choreographies book series., and also sits on the editorial board for Performance Matters as well as the college of expert reviewers for the European Science Foundation. She has been granted over £1 million since 2022 for a variety of different research projects focused on dance and archival material.

Early life

Elswit grew up in New York City, the daughter of Sharon and Michael Elswit, her mother being a published folklorist.

Education

Elswit received a B.A. and B.S. from Northwestern University in 2002 before being awarded a Marshall Scholarship in 2004 to complete a M.A. at the Trinity Laban Conservatoire of Music and Dance, and then a Ph.D. at the University of Cambridge. Her dissertation dealt with Weimar era dance audiences and modernism, under the direction of supervisor Lucia Ruprecht.

Elswit was an Andrew W. Mellon Postdoctoral Fellow at Stanford University from 2009-2012, and then a senior lecturer in theatre and performance studies at the University of Bristol from 2012-2016. She was appointed reader at Central in 2016 and later promoted to full professor.

Moving Data Studio

In 2021, Elswit co-founded the information visualization and interaction design company Moving Data Studio, with Ohio State University professor Harmony Bench. Their project Dunham's Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry won the 2021 ATHE/ASTR Award for Excellence in Digital Scholarship.

Moving Data Studio's breakaway archival and information visualization installation on dancer and choreographer Alvin Ailey was commissioned by the Whitney Museum of American Art exhibition Edges of Ailey exhibit in 2024. The Observer newspaper called this information visualization an "unexpected delight."

Awards and accolades

Elswit's book Watching Weimar Dance was called "groundbreaking" by the Times Literary Supplement, and won the Oscar G. Brockett Book Prize for Dance Research in 2017. Other awards include:

Performance and art

As a modern dancer, Elswit has performed with Hedwig Dances, Lucky Plush Productions, Felix Ruckert, and others. She collaborates with Swedish choreographer Rani Nair as dramaturg and historian on the Future Memory project. Elswit was also choreographer and performer in Breath Catalogue, an experimental dance performance which combined choreography with live breath sensors and interactive visualizations.

Publications

Books

  • Watching Weimar Dance. Oxford University Press, New York 2014, ISBN 9780199844838
  • Theatre & Dance. Palgrave Macmillan, London 2018, ISBN 978-1137605740

Articles

  • “The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss”. Modern Drama, 51.3 (2008), Theatre and Medicine, 389-410.
  • “‘Berlin . . . Your Dance Partner is Death’”. TDR/The Drama Review, 53.1 (2009), 73-92.
  • “So You Think You Can Dance Does Dance Studies”. TDR/The Drama Review, 56.1 (2012), 133-142.
  • “Ten Evenings with Pina: Bausch’s ‘Late’ Style and the Cultural Politics of Co-Production”. Theatre Journal, 65.2 (2013), 215-233.
  • “Dancing With Our Coronasphere to Navigate the Pandemic”. Dance Magazine (July 2020).
  • “Dancing with Coronaspheres: Expanded Breath Bodies and the Politics of Public Movement in the Age of COVID-19”. Cultural Studies 37.6 (2022), 894-916.
  • “Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces” (with Harmony Bench). TDR: The Drama Review 66.1 (2022), 37-61.

Talks

  • Making Breath Palpable: Theatricality, Somatics, and Technology in Uncertain Archives. Gerrit Rietveld Academie, Stedelijk Museum Amsterdam (2018).

References

  1. "Expanding Excellence in England (E3) Round 2 – Funded Projects" (PDF). UK Research and Innovation. 16 January 2024. Retrieved 10 January 2025.
  2. "Central School awarded £5.6 million to set up performance and technology centre". The Stage. Retrieved 10 January 2025.
  3. "Central receives £5.6 million from Research England to establish a Centre for Performance, Technology, and Equity". Royal Central School of Speech & Drama. 17 January 2024. Retrieved November 26, 2024.
  4. "Theatre Journal". Johns Hopkins University Press. Retrieved 10 January 2025.
  5. "ASAP/Journal". Johns Hopkins University Press. Retrieved 10 January 2025.
  6. "AHRC Peer Review College". AHRC Peer Review College by Arts and Humanities Research Council. Retrieved 10 January 2025.
  7. "New World Choreographies Editors". Springer Nature. Retrieved November 26, 2024.
  8. "Editorial Team Performance Matters". Performance Matters. Retrieved November 26, 2024.
  9. "Kate Elswit, Projects". UK Research and Innovation. Retrieved 10 January 2025.
  10. "McFarland Books, sharon elswit". McFarland Books. Retrieved 10 January 2025.
  11. "Marshall Alumni". Association of Marshall Scholars. Retrieved 10 January 2025.
  12. "Mellon Postdoctoral Fellows". Stanford Humanities. Retrieved November 25, 2024.
  13. "Royal Central, Profiles". Royal Central. Retrieved November 25, 2024.
  14. Rajko, Jessica (2023). "DUNHAM'S DATA: KATHERINE DUNHAM AND DIGITAL METHODS FOR DANCE HISTORICAL INQUIRY by Kate Elswit, Harmony Bench, Antonio Jimenez-Mavillard, Tia-Monique Uzor, and Takiyah Nur Amin". Dance Research Journal. 55 (2): 98–101. doi:10.1017/S0149767723000256. ISSN 0149-7677.
  15. "Association for Theatre in Higher Education Past Awardees". ATHE. Retrieved November 26, 2024.
  16. "Review: Edges of Ailey". Observer. 16 October 2024. Retrieved November 26, 2024.
  17. "Edges of Ailey: Alvin Ailey and the Making of Dance History". The Village Voice. 21 November 2024. Retrieved 10 January 2025.
  18. "Edges of Ailey". Whitney. Retrieved November 26, 2024.
  19. "Kick lines". Times Literary Supplement. Retrieved 10 January 2025.
  20. "Oscar G. Brockett Book Prize for Dance Research". Dance Studies Association. Retrieved 10 January 2025.
  21. "Sally Banes Publication Prize, Past Recipients". American Society for Theatre Research. Retrieved 10 January 2025.
  22. "Professor Kate Elswit and colleagues presented with the Gertrude Lippincott Award". Royal Central School of Speech & Drama. 7 September 2023. Retrieved November 26, 2024.
  23. "Congratulations to ASTR's 2021 Award Winners". ASTR. Retrieved November 26, 2024.
  24. "Future Memory Trailer". Vimeo. 10 December 2013. Retrieved November 26, 2024.
  25. "Review Breath Catalogue". Wayback Machine, SciArt Magazine. Archived from the original on 2020-10-30. Retrieved November 26, 2024.
  26. "Watching Weimar Dance Paperback". Oxford University Press. Retrieved November 26, 2024.
  27. Reviews of Watching Weimar Dance
  28. "Theatre and Dance". Bloomsbury. Retrieved November 26, 2024.
  29. Review of Theatre & Dance
  30. "Dancing With Our Coronasphere to Navigate the Pandemic". Dance Magazine. 20 July 2020. Retrieved November 26, 2024.
  31. "Making Breath Palpable". YouTube. 27 June 2018. Retrieved November 26, 2024.


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