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Submission declined on 3 November 2024 by Timtrent (talk).This submission's references do not show that the subject qualifies for a Misplaced Pages article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Misplaced Pages. Declined by Timtrent 2 months ago.

• Comment: I am struggling to see how they pass WP:FILMMAKER. They are presented as a WP:ROTM maker of short films 🇺🇦 Fiddle Faddle 🇺🇦 08:38, 3 November 2024 (UTC)

Euripides Laskaridis (1975, Athens) is a Greek director, choreographer and performer. He is known for exploring themes of ridicule and transformation in his work, which spans both the theatre and film industries as well as site-specific productions and seminar workshops. His career encompasses directing, choreography, and performance, including award-winning short films and documentaries, showcasing his versatility in the arts. He is also the founder of the performing arts company OSMOSIS, which has gained international recognition.

Early Life and Education

Laskaridis was born in Athens on July 6, 1975. He studied acting at the Karolos Koun Art Theatre in Athens and later pursued advanced studies in directing and choreography at Brooklyn College in New York, supported by a scholarship from the Onassis Foundation. In 2000, he began directing his own works, including theatre performances, site-specific projects, and short films.

Career

Since 1995 has collaborated with prominent artists, including Dimitris Papaioannou,, Robert Wilson and Dionysis Savvopoulos. In 2009, he founded OSMOSIS, a performing arts company through which he develops his artistic vision, often focusing on non-linear narratives, the grotesque and the transformations of the human form.

In 2016 he received one of the inaugural Pina Bausch Foundation fellowships which allowed him to study the work of director and choreographer Lemi Ponifasio, internationally. In 2017 he was recognized as a "Promising Talent" by the German magazine Tanz and in 2022 he received the "Onassis Air" scholarship, from the Onassis Foundation, to support his artistic research.

Artistic Activity

Laskaridis’s work integrates practices of theatre, dance and visual arts. Common materials and everyday objects, often repurposed, appear in his works, which typically follow a non-linear narrative. He is notably concerned with elements of the grotesque and transformation. The alteration of the performer through the deformation and exaggeration of physical features is often used in his work as a means of highlighting his interest in a reconstruction of the genders.

Through OSMOSIS, Laskaridis collaborates with a core group of artists to produce works that have toured internationally, gaining critical acclaim. The company’s productions are known for their imaginative and surreal qualities, often blending humor and introspection.

Major Works

Laskaridis has directed, choreographed, and performed in numerous productions, including:

• Relic | 2015: the first stage production of the OSMOSIS group with an international tour
• Titans | 2017: international co-production that premiered at the Athens Epidaurus Festival, 2017
• Thirio | 2018: performance for Athens Biennale
• Elenit | 2019: international co-production that premiered at the Onassis Foundation in 2019
• Here Not Here | 2020: short documentary based on Elenit, created during the COVID-19 lockdown
• Μαντω/Mando | 2021: short film inspired by the life of Manto Mavrogenous, commissioned by the Greek National Opera
• Tourné | 2022: dance-theater performance presented at the Little Theatre of Ancient Epidaurus
• Kaunas & Eleusis | 2022, 2023: site-specific performance
• Lapis Lazuli | 2024: international co-production with a world premiere at the Onassis Foundation

References

1. Kheriji-Watts, Katie. "Euripides Laskaridis Transmuted Artistic Misery Into Creative Success". CN D Magazine.
2. Vaccarino, Elilsa. Grèce Mythique et Moderne." Eros et Danse: Le Corps, l'Amour, les Sens dans la Danse Contemporaine, des Ballets Russes aux Post-Avant-Gardes. Paris, France, 2017: Librairie Gallimard. p. 219.{{cite book}}: CS1 maint: location (link)
3. "Art Theatre Graduates, 1997". Karolos Koun Art Theatre.
4. "Euripides Laskaridis". Onassis Stegi.
5. "Dimitris Papaioannou - "2"".
6. "Dimitris Papaioannou - "NOWHERE"".
7. "Dimitris Papaioannou - "INSIDE"".
8. Piccolo Teatro di Milano (6 October 2015). "Odyssey, Robert Wilson".
9. "Ο «Πλούτος» του Σαββόπουλου". TO BHMA. 8 July 2013.
10. "Euripides Laskaridis Fellow 2016". PINA BAUSCH FELLOWSHIP FOR DANCE AND CHOREOGRAPHY (2016).
11. Brafman, Ora. "Euripides Laskaridis, 30 Dancers With the Best Prospects". Tanz.
12. "Onassis Air, Participants-Fellowships". Onassis Stegi.
13. "Euripides Laskaridis: Lapis Lazuli // A stone from heaven". Onassis Stegi.
14. Sampatakakis, George (2023). "Monsters, hybrids and wreckage. The radical queer art of Euripides Laskarides". Μagazine of Aristotle University of Thessaloniki: 20.
15. Tektonidou, Paraskeui (2022). Intersectionality and Interculturality of Contemporary Choreography: A Brief Mapping Through the Greek Example. France: Theatrographies no 27. p. 82.
16. "Euripides Laskaridis Chorégraphe". Teatre De La Ville.
17. Sampatakakis, George (2017). Bodies of Truth: The Terrible Beauty of Queer Performance. Greece: Journal of Greek Media and Culture, vol4, no2. p. 257.
18. Sampatakakis, George (2015). Acting like a Monument: Greekness and Assimilation in Euripides Laskaridis' Ridicule and Transformation – The Walk (2013). Athens, Greece: In T. Vovolis (ed.), Catalogue, Prague Quadrennial, HCITI. p. 219.
19. "Euripides Laskaridis, Relic". Aerowaves Dance Across Europe.
20. Brufau Bonet, Clàudia (2015). "Reviews – Spring Forward, Aerowaves 2015". Periodista Cultural I Crítica De Dansa.
21. Gardner, Lyn (2017). "Relic review – Dame Edna meets Marge from The Simpsons in bizarre spectacle". The Guardian.
22. Sanjoy, Roy (2017). "London International Mime Festival – Works by Joli Vyann, Compagnie MPTA, Compagnie Mossoux Bonté, Euripides Laskaridis, Charleroi Danses". DanceTabs.
23. "Euripides Laskaridis – OSMOSIS, Titans". Athens Epidaurus Festival.
24. Brufau, Clàudia (2017). "Els afers domèstics d'una vedet còsmica". Núvol.
25. Monaco, Loretta (2023). "Titans from Euripides Laskaridis at the Coronet Theatre". LondonTheatre1.
26. Arrigoni, Nicola (2019). "TITANS - regia Euripides Laskaridis". Sipario.
27. Pastore, Enrico (2017). "INTERVISTA A EURIPIDES LASKARIDIS".
28. "Ευριπίδης Λασκαρίδης / Osmosis". Athens Biennale.
29. "ELENIT | Euripides Laskaridis". Onassis Stegi.
30. Gangon Paradis, Iris (2022). "La vie, cette grande comédie". La Presse.
31. Perrier, Fabien (2023). "«Elenit», hellène mélangé". Liberation.
32. Xenios, Nikos (2023). ""ELENIT" by Euripides Laskaridis on the Roof - A universe with dinosaurs, wind turbines and sheet metal". Book Press.
33. Papazoglou, Marguerite (2023). "Elenit, direction et conception Euripide Laskaridis, au 104 Paris – Théâtre de la Ville / Festival Séquence Danse Paris". Un Fauteuil Pour l'Orchestre.
34. Saint-Pierre, Christian (2022). "«Elenit»: joyeux carnaval". Le Devoir.
35. Teatro Municipal do Potro. "Euripides Laskaridis, Here Not Here (Documentary)".
36. "A Greek Songbook". Greek National Opera.
37. "Euripides Laskaridis – OSMOSIS, TOURΝÉ". Athens Epidaurus Festival.
38. Charami, Stella (2022). "Review: "TOURNÉ" at the Small Theater of Epidaurus". Monopoli.gr.
39. Con Tempo (2022). "Kamares v.01 / The House of Ridicule & Transformation". Kaunas Full of Events.
40. "Mystery 108 KAMARES". Eleusis European Capital of Culture. 29 August 2024.
41. "LAPIS LAZULI". NEON. 2024.
42. Tomassini, Stefano (2024). "Un macigno di risate per vite difficili con Euripides Laskaridis". Teatro E Critica.
43. TAVBERIDZE, Tea (2024). ""Lapis lazuli" - A Theatrical Duet of Absurdity and Reality". Jolo.ge.
44. Embrechts, Annette (2024). "The Greek theater show 'Lapis Lazuli', about the existential crisis of a weerwolf, is absurd and grotesque". de Volkskrant.
45. Ioannidis, Gregoris (2024). "The joy of the theater that only asks to remain a theater". I Efimerida ton Syntakton.
46. Merlini, Leonardo (2025). "Torinodanza, the unbridled and analogous werewolves of Laskaridis". askanews.it.
47. Wynants, Jean-Marie (2024). "'Lapis Lazuli' in Charleroi and Liège: Werewolf, this Is Not a Life". Le Soir.
48. Distefano, Giuseppe (2024). "Lapis Lazuli, Euripides Laskaridis brings the inner struggle to the stage of Torinodanza". exibart.com.
49. Colin, Valerie (2024). "Euripides Laskaridis's crazy bestiary is dancing in Liège and Charleroi". L’ Echo.
50. Koukoutas, Anastasio (2024). "In the latest of his surreal, anthropomorphic and monstrous masquerades, Laskaridis puts fear into the frame". Springback Magazine.

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