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==Ongoing== ==Ongoing==


https://www.sipri.org/commentary/topical-backgrounder/2021/arms-transfers-conflict-zones-case-nagorno-karabakh
Arms transfers to conflict zones: The case of Nagorno-Karabakh
30 April 2021


, 2001
https://armenpress.am/eng/news/1004817.html
Մշո Սբ. Կարապետ p.21
Syrian Parliament recognizes Armenian Genocide
Մաշտոց p.103
Գառնիի տաճար p.244



SIPRI: , 30 April 2021



;] ;]
https://mil.ru/russian_peacekeeping_forces/news/more.htm?id=12407657@egNews https://mil.ru/russian_peacekeeping_forces/news/more.htm?id=12407657@egNews
https://mil.ru/russian_peacekeeping_forces/news/more.htm?id=12349096@egNews https://mil.ru/russian_peacekeeping_forces/news/more.htm?id=12349096@egNews



;] ;]
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An ethnic Armenian, Mr. Shakhnazarov An ethnic Armenian, Mr. Shakhnazarov
Georgi K. Shakhnazarov, a propagandist and political scientist of the Soviet era who rose to become a pro-reform assistant to Mikhail S. Gorbachev Georgi K. Shakhnazarov, a propagandist and political scientist of the Soviet era who rose to become a pro-reform assistant to Mikhail S. Gorbachev




==Armenia-Iran weapons== ==Armenia-Iran weapons==

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Հայոց սրբերը և սրբավայրերը, 2001 Մշո Սբ. Կարապետ p.21 Մաշտոց p.103 Գառնիի տաճար p.244


SIPRI: Arms transfers to conflict zones: The case of Nagorno-Karabakh, 30 April 2021

Syrian Parliament recognizes Armenian Genocide

File:Марш российского миротворческого контингента в сторону Лачинского коридора.jpg

https://mil.ru/russian_peacekeeping_forces/news/more.htm?id=12407657@egNews https://mil.ru/russian_peacekeeping_forces/news/more.htm?id=12349096@egNews

Andranik

https://www.nytimes.com/1927/10/10/archives/armenians-eulogize-general-andranik-speakers-at-memorial-meeting.html

https://www.nytimes.com/1928/01/08/archives/to-honor-gen-antraniks-memory.html

Tevfik Rüştü Aras

https://www.nytimes.com/1931/10/02/archives/turkish-premier-off-on-a-visit-to-greece-ismet-pasha-and-foreign.html?searchResultPosition=87 Leaves with Foreign Min Rushdi Bey for Greece; police arrest two men commissioned by Armenian soc, Tashnak, to assassinate him in Greece; one of them commits suicide

Yousuf Karsh

https://www.nytimes.com/1947/03/23/archives/yousuf-karsh-faces-of-destiny-portraits-by-karsh-158-pp-75.html?searchResultPosition=174

https://www.nytimes.com/1972/01/08/archives/karshs-camera-aims-at-person-behind-face.html?searchResultPosition=164

Ambartsumian https://www.nytimes.com/1959/06/11/archives/us-group-honors-soviet-scientist-2-britons-and-german-also-elected.html?searchResultPosition=118


https://www.nytimes.com/1973/09/23/archives/armenians-revel-in-ethnicity-and-invite-you-to-do-the-same-will-end.html?searchResultPosition=309 The city's 40,000 residents of Armenian descent invited New Yorkers of other ethnic heritages to a party this week end to say, https://www.nytimes.com/1980/02/15/archives/a-rural-heritage-clashes-with-armenians-dream-rural-heritage-in-a.html?searchResultPosition=66 HOWELL TOWNSHIP, N.J.--For the last five years, Vahakn Hovnanian has dreamed of creating a $15 million community in this rural Monmouth County township so that some of the estimated 50,000 Armenians scattered throughout the New York metropolitan area could live together "in an atmosphere that would perpetuate our heritage."

https://www.nytimes.com/1978/12/10/archives/moslem-revolt-in-iran-stirs-fears-for-future-of-minority-religions.html?searchResultPosition=927 Yet, Archbishop Artak Manookian, the leader of Iran's 200,000 Armenians, said in an interview, “These stores and movies were burned because they offended the Moslems, not because they were owned by Christians.”

Gregorio Pietro Agagianian

https://www.nytimes.com/1958/06/24/archives/agagianian-in-post-armenian-cardinal-succeeds-to-office-given.html?searchResultPosition=18&fbclid=IwAR3GKBMtAn2cUU2MJv77A2bnLAdAW4POTkPHoLKDTxUNlTFqmS4JESXwV0E AGAGIANIAN IN POST; Armenian Cardinal Succeeds to Office Given Stritch

https://www.nytimes.com/1958/06/19/archives/armenian-heads-vatican-missions-pontiff-nominates-cardinal.html?searchResultPosition=16&fbclid=IwAR3-kA8wTq7dcSllZKBS4uV1MsXTJoERiQZC5EYjkCpMtnE35dbsLj4YFn8 ARMENIAN HEADS VATICAN MISSIONS; Pontiff Nominates Cardinal Agagianian to Fill Role After Stritch's Death


https://www.nytimes.com/1954/10/07/archives/armenian-cardinal-in-boston.html?searchResultPosition=160&fbclid=IwAR2dGDnIOzeRXnOYU2f0BQAyKq3Bjg4nnr3O4V6Wcm-zKwa9OYcYQlwkkRM Armenian Cardinal in Boston

https://www.nytimes.com/1951/12/14/archives/catholic-leader-greeted-cardinal-agagianian-welcomed-by-armenian.html?searchResultPosition=75&fbclid=IwAR0O7tHJShzHTnZ1Q1jS5kbhsoLyFIxh7ssEX0QFvIwXNf6wbxuOjHxKEzc CATHOLIC LEADER GREETED; Cardinal Agagianian Welcomed by Armenian Community


Harutyunyan, Varazdat (1992). Հայկական ճարտարապետության պատմություն [History of Armenian Architecture] (PDF) (in Armenian). Yerevan: Luys. ISBN 5-545-00215-4. Archived from the original (PDF) on 2 January 2022.

Russell, James R. (2004). Armenian and Iranian Studies. Cambrdige, Massachusetts: Harvard University Press.

http://treasury.am/

Ejmiatsin with walls

Էջմիածնի Մայր տաճարի սկզբնական տեսքը ըստ Թորամանյանի

Blue Mosque, Yerevan

1934-36

1925

1928-30

Hagop Kevorkian

https://www.metmuseum.org/exhibitions/listings/2011/islamic-art

https://as.nyu.edu/content/nyu-as/as/research-centers/neareaststudies.html

https://npg.si.edu/object/npg_67.4.1_CU

Alphabet Park

hy:Հայոց այբուբենի հուշարձան http://shirak.asj-oa.am/328/1/135-139..pdf https://armenpress.am/arm/news/432208 https://www.azatutyun.am/a/24745783.html

"...Armenian heroes of the past who favored a Russian orientation (e.g., Israel Ori, Joseph Emin, Archbishop Hovsep Arghutian, Dr. Zavriev, General Antranik, Zori Balayan, Silva Kaputikian) ...those who proposed self-reliance (e.g., Davit Beg, Aram Manukian, Nzhdeh)".

Ghazanchetsots

https://commons.wikimedia.org/File:Ilham_Aliyev%27s_visit_to_Shusha_February_2021_74.jpg

https://commons.wikimedia.org/File:%D0%91%D0%BE%D0%BC%D0%B1%D0%B0%D1%80%D0%B4%D0%B8%D1%80%D0%BE%D0%B2%D0%BA%D0%B0_%D1%86%D0%B5%D1%80%D0%BA%D0%B2%D0%B8_%D0%9A%D0%B0%D0%B7%D0%B0%D0%BD%D1%87%D0%B5%D1%86%D0%BE%D1%86_%D0%A1%D1%83%D1%80%D0%B1_%D0%90%D0%BC%D0%B5%D0%BD%D0%B0%D0%BF%D1%80%D0%BA%D0%B8%D1%87_(%D0%A1%D0%B2%D1%8F%D1%82%D0%BE%D0%B3%D0%BE_%D0%A5%D1%80%D0%B8%D1%81%D1%82%D0%B0_%D0%92%D1%81%D0%B5%D1%81%D0%BF%D0%B0%D1%81%D0%B8%D1%82%D0%B5%D0%BB%D1%8F)_%D0%B2_%D0%A8%D1%83%D1%88%D0%B8.jpg

Baliozian

On Abovian: “As a pedagogue, he was greatly influenced by the doctrines of Rousseau and Pestalozzi and believed that every person, even the lowest, has inherent powers capable of development. These liberal views, together with his persistent efforts to reform the education system, alienated him from the Armenian establishment—the clergy and the wealthy merchants: an alliance that has always been on the side of reaction rather than progress. As a result, he may have committed suicide, or, as a thinker impossible to muzzle, he may have been secretly assassinated by agents of the Czar.”

On Raffi: “The greatest novelist of the 19th century” “Raffi blamed Christianity for the defenselessness of the Armenian people, regretting that the Armenians had built monasteries

Bolsheviks and communists

https://www.nytimes.com/2001/05/19/world/georgi-shakhnazarov-dies-soviet-propagandist-was-77.html?searchResultPosition=220 An ethnic Armenian, Mr. Shakhnazarov Georgi K. Shakhnazarov, a propagandist and political scientist of the Soviet era who rose to become a pro-reform assistant to Mikhail S. Gorbachev

Armenia-Iran weapons

https://wikileaks.org/plusd/cables/07BAKU766_a.html
https://wikileaks.org/plusd/cables/08STATE134490_a.html
 https://wikileaks.org/gifiles/attach/136/136611_Iran%20Armenia%20Weapons.docx
https://web.archive.org/web/20220724091028/https://webcache.googleusercontent.com/search?q=cache%3Ae80MqYyBBR0J%3Ahttps%3A%2F%2Fwikileaks.org%2Fgifiles%2Fattach%2F136%2F136611_Iran%2520Armenia%2520Weapons.docx+&cd=1&hl=en&ct=clnk&gl=am
https://wikileaks.org/plusd/cables/09YEREVAN20_a.html

https://www.nytimes.com/2002/06/10/opinion/russia-s-risky-iran-connection.html American intelligence agencies also report that Moscow is secretly transferring ballistic missile technology to Tehran, including suspected transfers through front companies in the former Soviet republics of Moldova and Armenia.

https://www.theguardian.com/world/us-embassy-cables-documents/184879

https://www.azatutyun.am/a/2236293.html Ruling Party Leader Denies Armenian Arms Transfer To Iran

https://www.azatutyun.am/a/2277320.html Ռազմիկ Զոհրաբյանը չի հերքում տարաձայնությունները ՀՀԿ-ի եւ ԲՀԿ-ի միջեւ

https://www.azatutyun.am/a/2242526.html WikiLeaks. Հայաստանն ընդունել է Իրանին զենք փոխանցելու փաստը

https://www.azatutyun.am/a/2236137.html Իշխող կուսակցության փոխնախագահը բացառում է Հայաստանի միջոցով Իրանին զենք մատակարարելու հնարավորությունը

https://www.azatutyun.am/a/2233626.html Leaked Cable Reveals U.S. Anger At Armenian ‘Arms Supplies’ To Iran

Khachaturian

Aram Khachaturian

Aram Khachaturian (1903-1978): A Retrospective DZ Kushner - Athens Journal of Humanities and Arts, 2017 - pdfs.semanticscholar.org https://pdfs.semanticscholar.org/961a/a991d8a656d368094d0a08ab783b504241c0.pdf

True, Prokofiev and Shostakovich are known in every civilized country, Khachaturian and Kabalevsky enjoy a certain reputation; but the last three named are sixty years old, or close to it.


Historical Dictionary of Russian Music - Page 216 Daniel Jaffé · 2022 https://books.google.am/books?id=fmBVEAAAQBAJ&pg=PA216&dq=Khachaturian%27s+musical+style+ostensibly+shows+the+influence+of+his+native+folk+music:+he+himself+explained+that+his+love+of+%E2%80%9Cdiscordant&hl=en&sa=X&ved=2ahUKEwjnrIeNkq32AhXDRfEDHYjiB1oQ6AF6BAgFEAI#v=onepage&q=Khachaturian's%20musical%20style%20ostensibly%20shows%20the%20influence%20of%20his%20native%20folk%20music%3A%20he%20himself%20explained%20that%20his%20love%20of%20%E2%80%9Cdiscordant&f=false


Composers union https://books.google.am/books?id=tdxVDwAAQBAJ&pg=PA34&dq=aram+khachaturian+communist&hl=en&sa=X&ved=2ahUKEwiL9dny85_2AhXoSPEDHUk3ALI4ChDoAXoECAIQAw#v=onepage&q=aram%20khachaturian%20communist&f=false


Khachaturian is much more interesting when applying his modest gifts to chamber music than in the bombastic socialist realism in scores like Gayne and Spartacus.

Spartacus

stentorian, "rich and juicy ... a monumental score in every way", "cinematic ... it often sounds like movie music. At its best, it's Shostakovich without the genius. But Lord knows it's vigorous."

The three excerpts from Spartacus show a talented composer's response to the requirements of hard-line political esthetics. Socialist-Realism schlock this music most certainly is, but Khachaturian writes inventive schlock - comfortably entertaining yet not without surprises.

WE had the luck to read a bulletin the other day, drawn up by Al Weeks, political analyst in charge of Soviet Affairs for Radio Free Europe. The bulletin is a factual account of Soviet Composer Khachaturian's newest thrust at the iron curtain. Once again the composer has buried his sharps and flats at Soviet music and art for what he says is its search not after beauty and truth but after bureaucratic approval. Comrade K. called the reality in Soviet art "lacquered." He condemned the critics "who held high the shield for many poor, grey and dull compositions." Wonder of wonders, Comrade K. declared. "Healthy realistic tendencies in the works of many famous artists working in the bourgeois countries should not be underestimated." He praised Bach, Mozart, and Berlioz and came out in favor of fantasy. This time Comrade K. may get away with it because his cry is consonant with criticism against the status quo currently a large mode (to use a phrase of Pablo Casals) in the fields of science, agriculture and industry.


Sabre Dance

Sabre Dance

Liberace https://www.youtube.com/watch?v=J2t6SWG1vgo https://www.youtube.com/watch?v=F-OLPiDhBd0

Classical recordings Robert Irving (conductor) / Alfred Newman (composer) https://www.allmusic.com/album/sabre-dance-mw0001821212 1996

Hideko Udagawa Boris Berezovsky (pianist) https://www.allmusic.com/album/khachaturian-sonata-and-dances-mw0001298589 2003

Dick Hyman https://www.allmusic.com/album/provocative-piano-i-ii-mw0002620535

Eugene Ormandy Leopold Stokowski https://www.allmusic.com/performance/sabre-dance-mq0000286572 1964

Royal Philharmonic Orchestra / Yuri Simonov https://www.allmusic.com/album/khachaturian-symphonic-highlights-from-gayane-spartacus-masquerade-mw0001534117

the Budapest Gypsy Symphony Orchestra (1994), https://www.youtube.com/watch?v=aH6vUBmuYmU&ab_channel=BudapestGypsyOrchestra-Topic

2011–12 Richard Galliano In concerts

Woody Herman: Chronicles of the Herds - Page 119 William D. Clancy, ‎William T. Clancy, ‎Audree Coke Kenton · 1995 PAGE 119 Actually , the pop music sensibility of early 1948 accepted “ Sabre Dance ” as a novelty , and it was a popular jukebox tune recorded by other artists as ...

Violin Concerto

Violin Concerto (Khachaturian)

Piano_Quartet_(Strauss)

Misplaced Pages:Good_articles/Music#Classical_compositions

Violin Concerto in D minor
violin concerto by Aram Khachaturian
Full titleViolin Concerto and Orchestra in D Minor
KeyD minor
Opus46
Year1940 (1940)
Time35–38 minutes
Movementsthree
Premiere
DateNovember 16, 1940
LocationMoscow
PerformersDavid Oistrakh

Aram Khachaturian's Violin Concerto in D minor is a violin concerto in three movements composed in 1940 for David Oistrakh.

It was premiered on November 16, 1940 by Oistrakh.



Composition

Structure

Violin concerto in D minor (1940)

  • First movement: Allegro con fermezza (about 14 minutes)
  • Second movement: Andante sostenuto (about 12 minutes)
  • Third movement: Allegro vivace (about 9 minutes)

A movement in sonata form, the Allegro con fermezza opens with a melody that has been described as "energetic" a "rollicking dance-like theme," and this yields to a "more lyrical" secondary melody.

The Andante sostenuto has been described as "a rhapsodic slow movement that sweeps one into a brooding wintry landscape." Geoffrey Norris wrote, "The ease and spontaneity, pungency and flexibility of Khachaturian's melodic inventions are most clearly laid out in the Andante sostenuto of the central movement, cast in a free-flowing, quasi-improvisatory manner redolent of the art of Armenian folk music." The second movement is a free-flowing rondo.

The concluding Allegro vivace has been called "a whirlwind of motion and virtuosity." In this movement, "the folks element is specially pronounced in the dance-like vigor of the main melody and in the repetitive, insistent, wild virtuosity of the solo instrument."

Reception and legacy

his Violin Concerto, beloved by aficionados of the instrument

Kurt Masur: "Khachaturian's concerto has much folk color... " In that sense, Mr. Masur also likens the work to Dvorak's Violin Concerto. "It has a melancholy, Eastern flavor and ornaments. It has the smell of rose perfume."

Recordings

https://classic-online.ru/ru/production/1832

Year Soloist Conductor Orchestra
1946 David Oistrakh Alexander Gauk USSR State Symphony Orchestra
1947 Gerhard Taschner Artur Rother Berlin Radio Symphony Orchestra
1955 David Oistrakh Aram Khachaturian National Philharmonic Orchestra
1956 Ruggiero Ricci Anatole Fistoulari London Philharmonic Orchestra (stereo)
1964 Henryk Szeryng Antal Doráti London Symphony Orchestra
1967 David Oistrakh Aram Khachaturian Moscow Radio Symphony Orchestra
1984 Itzhak Perlman Zubin Mehta Israel Philharmonic Orchestra
1989 Valery Klimov Evgeni Svetlanov USSR Academy Symphony Orchestra
1990 Lydia Mordkovitch Neeme Järvi Royal Scottish National Orchestra
2004 Julia Fischer Yakov Kreizberg Russian National Orchestra
2007 Aaron Rosand Kees Bakels Malaysian Philharmonic Orchestra
2008 Nicolas Koeckert José Serebrier Royal Philharmonic Orchestra
2010 Ara Malikian Jesús Amigo Extremadura Symphony Orchestra
2011 Mikhail Simonyan Kristjan Järvi London Symphony Orchestra
2014 James Ehnes Mark Wigglesworth Melbourne Symphony Orchestra
2018 Nemanja Radulović Sascha Goetzel Borusan Istanbul Philharmonic Orchestra
2019 Rachel Barton Pine Teddy Abrams Royal Scottish National Orchestra
2020 Antje Weithaas Daniel Raiskin Staatsorchester Rheinische Philharmonie


Recordings of the Violin Concerto in D minor
Year Soloist Conductor Label Catalogue Duration Ref
1993 Ames Piano Quartet Dorian 90167 38:35

rest

New York Philharmonic premiere, more than 60 years after it was first played, in Moscow. Silvia Marcovici is the soloist, and Kurt Masur conducts

The Violin Concerto was written in 1940, for the great Ukrainian violinist David Oistrakh, whom Khachaturian had met five years before. Unlike many works that ultimately found their way into the hearts of music lovers, the concerto was an instant hit; praised from its first, private performances, it became one of the most popular new works played in the Soviet Union.

The work was palpably vibrant. Filled with the Orientalism that composers like Rimsky-Korsakov and Borodin had made characteristic of Russian music 60 years before, the concerto fitted into a longstanding tradition of attractive, accessible fare. That its solo part seemed fiendishly difficult to play only increased its appeal.

The violinist Leonid Kogan, then 16, attended the concerto's premiere, as did luminaries like Shostakovich, Prokofiev, Kabalevsky and Miaskovsky. For us young violinists it was a revelation, Kogan wrote later. I remember that the concerto seemed to us to be extremely difficult, almost impossible to perform. In 1958 he recorded an outstanding version of the concerto for RCA with the Boston Symphony Orchestra, directed by Pierre Monteux.

Ms. Marcovici is not intimidated by the piece. "Nothing is difficult when you like it," she said. Many familiar with the concerto would disagree. Its thorny first-movement cadenza or, more accurately, cadenzas have challenged plenty of virtuoso fiddlers.

Khachaturian's reputation as a composer of serious music has declined at least since his death in 1978. The Violin Concerto may never attain the universal respect heaped on the concertos of Shostakovich and Prokofiev.



The violinist Gil Shaham is certainly ideally suited to convey the energetic optimism of Khachaturian’s difficult, folkloric Violin Concerto, which he performed with the New York Philharmonic, led by the Russian conductor Andrey Boreyko, on Wednesday night at Avery Fisher Hall. He soared through the acrobatic solo part, almost threatening to leave the orchestra behind on a few occasions. Mr. Boreyko led a full-blooded, bristling reading of the rhythmically driven score, highlighting the details of the folk-infused melodies and exotic harmonies derived from Armenian modes and scales.


The Violin Concerto, first performed by the already famous David Oistrakh in 1940, got Khachaturian his first Stalin Prize, then the highest artistic award in the Soviet Union, and it soon joined the Piano Concerto in the international repertory. Is it shameful to be swept away by the perpetual feast and improvisational freedom of his Violin Concerto, to melt into the sensuality and passion of Spartacus or to be moved to tears by the Waltz from Masquerade?


https://archive.nytimes.com/artsbeat.blogs.nytimes.com/2014/05/15/classical-playlist-beethoven-shostakovich-tigran-mansurian-and-more/ James Ehnes, violinist; Melbourne Symphony Orchestra; Ehnes Quartet The Armenian composer Aram Khachaturian composed his Violin Concerto for David Oistrakh. James Ehnes conveys its lighthearted mood, folk elements and virtuosic passages with sweet tone and technical aplomb, deftly accompanied by the Melbourne Symphony Orchestra and the conductor Mark Wigglesworth.


https://www.nytimes.com/1978/05/03/archives/exemplar-of-socialist-realism-appreciation-drew-on-folk-sources.html For a time he was one of the mostplayed Soviet composers in the West. Serge Koussevitzky, the conductor of The Boston Symphony, was interested in the then younger group of Soviet composers, and Khachaturian figured prominently on his programs. Other conductors here and abroad found much to admire; many pianists took the Khachaturian concerto into their repertory; violinists were constantly playing the violin concerto.


https://www.nytimes.com/1964/01/18/archives/radio.html 7‐8:30—Masterwork Hour: Mischa Elman, violinist. Mozart's “Apollo et Hyacinthus” Overture; Khachaturian's Violin Concerto; Shostakovich's Symphony No. 5—(WNYC).

https://www.nytimes.com/1978/05/03/archives/khachaturian-a-leading-soviet-composer-dies-at-74-works-included.html In addition to “Gayne,” his list of better‐known works includes the Piano Concerto (1936), Violin. Concerto (1940), “Masquerade” Suite (1944) and the ballet “Spartacus” (1953).



https://www.laphil.com/musicdb/pieces/4545/violin-concerto-in-d-minor

https://www.naxos.com/CatalogueDetail/?id=8.570988 Nicolas Koeckert

https://www.chandos.net/products/catalogue/CHAN%208918 Lydia Mordkovitch

https://www.gramophone.co.uk/review/khachaturian-kabalevsky-violin-concertos


https://www.archiphon.de/arde/catalog/products/taschner/taschner-arc-126-Taschner-Konzerte.php After the war was over, the score to Khachaturian’s violin concerto was made available to Taschner by the Russian occupying forces. It was Taschner who made the work known in Germany. The Archiphon release is the third recording in an epoch-making series: Oistrakh 1944 (who premiered the concerto in 1940), Kaufman 1946 (the first American release) and Taschner 1947 (with the RSO Berlin under Artur Rother) - both the youngest and fieriest of the three recordings. Also appearing on CD for the first time is Sarasate’s "Zigeunerweisen", which Taschner recorded in 1944 with Michael Raucheisen. This recording made its way to Russia as war booty, but was returned in 1991.

https://www.theguardian.com/music/2009/jun/12/khachaturian-violin-concerto his Violin Concerto, dating from 1940. It's an immensely attractive work, full of his trademark Armenian folk flourishes, and the swaying, hypnotic Andante is notably beautiful. But the unforced optimism of the outer movements now seems unthinking when we realise it was composed at a time when Stalin was giving Prokofiev and Shostakovich hell. The performance is terrific, though. Khachaturian: Violin Concerto; Concerto-Rhapsody for Violin and Orchestra

https://www.theguardian.com/music/2014/jun/15/khachaturian-shostakovich-james-ehnes-melbourne-wigglesworth-review The Khachaturian concerto, full of oriental-Armenian folk motifs from the composers Tbilisi homeland, was written in 1940 for the great Odessa-born violinist David Oistrakh.

https://pdfs.semanticscholar.org/961a/a991d8a656d368094d0a08ab783b504241c0.pdf Artists of the first rank, David Oistrakh for the Violin Concerto, and Svyatoslav Knushevitsky for the Cello Concerto, introduced these works as well. The composerʼs collegiality with regard to his chosen soloists is exemplified by Oistrakhʼs comments:

... I came to know him quite well while the Violin Concerto was being written. I remember that summer day in 1940 when he first played the Violin Concerto, which he had just finished. He was so totally immersed in it that he went immediately to the piano. The stirring rhythms, characteristic turns of national folklore, and sweeping melodic themes captivated me at once. He played with tremendous enthusiasm. One could still feel in his playing that artistic fire with which he had created the music. Sincere and original, replete with melodic beauty and folk colors, it seemed to sparkle. All these traits which the public still enjoys in the Concerto made an unforgettable impression at the time. It was clear that a vivid composition had been born, destined to live long on the concert stage. And my violin was to launch it on its career.9



https://books.google.am/books?id=-seWjlH17dsC&pg=PA256&dq=Violin+Concerto+Khachaturian Classical Music: The Rough Guide

https://books.google.am/books?id=25NADwAAQBAJ&pg=PA774&dq=Violin+Concerto+Khachaturian 1001 Classical Recordings You Must Hear Before You Die

https://books.google.am/books?id=eiolDwAAQBAJ&pg=PA114&dq=Violin+Concerto+Khachaturian Music of the Soviet Era: 1917-1991

Kaufman https://books.google.am/books?id=IEmWymaZrfcC&pg=PA189&dq=Violin+Concerto+Khachaturian

Ani Cathedral

Ani Cathedral


inscription on the southern wall reads:

In the year 450 of the Armenians , and 219 of the Romans , in the time of the honored by God  spiritual lord Sarkis Catholicos of the Armenians and the glorious kingship of Kakig  of the Armenians and Shahan Shah  of the Georgians, I Kadratine  queen of the Armenians, daughter of Vasak, king of Syunik, took refuge in the mercy of God and by decree of my husband Kakig Shahan Shah, built this holy cathedral, which was founded by great Smpad, and we erected the house of God, a revived and living spiritual offspring, and a perpetual monument; and I embellished it with precious ornaments, gifts to Christ from me and my family, and sons Smpad, Abas and Ashot; you are commanded by me, Lord Sarkis servant of the church, after the death of this pious queen, to conduct at Vartavar,  Hisnak , forty-one  unceasingly until the coming of Christ; if anybody takes that inscription as unreal, let him be condemned by Christ to six 1433 months with Adam, in the year 1012 of God taking human form ... when believing in Christ of the Armenians this colophon was written by my own hand.

inscription on the wall of the door on the southern side:

In the year 662 (1213) by the will of God I Dikran servant of Jesus Christ built with my lawful wealth these stairs of this glorious holy cathedral, which after many years were in ruins, and gave as presents to the holy cathedral from my treasury the store in Kagdnots two  festivities and Saint Krikor one by one and two silver skih of the chief altar, and I placed the yoke on the attendants  to celebrate mass in my name every year until the coming of Christ.

It is understood from this inscription that a wealthy believer named Dikran, seeing in 1213 that the cathedral needed renovations, had repairs done and had this inscription written in order for his memory to be blessed by future generations.

On the western side inscription reads:


Կենտրոնական նավը զգալի լայնացնելու, իսկ կողմնայինների լայնությունը նվազեցնելու միջոցով, նա կարողացել է հասնել վաղ միջնադարյան գմբեթավոր դահլիճներին (Պտղնի, Արուճ, Դդմաշեն) հատուկ ներքին տարածության միասնական ընկալման: Ապա մի շարք համահնչյուն միջոցների (փնջավոր մույթեր, պաքաձև կամարներ, որմնակամարներ) օգնությամբ տաճարին հաղորդել է շեշտված վերասլացություն, դինամիկ լարվածություն: Եկեղեցու ներսի տարածության կազմակերպման այս նոր սկզբունքը, որի շնորհիվ ծածկն ասես ճախրում է աղոթասրահի վրա, ինչ- պես բազմիցս նշված է հետազոտողների (0. Շուազի, Հ. Ստրժիգովսկի, Կ. Հովհաննիսյան) 2 կողմից, որդեգրվում ու լայն կիրառություն է գտնում 12-14-րդ դարերում Արևմտյան Եվրոպայի մի շարք երկրներում տարածում ստացած գոթական ճարտարապետության մեջ:

Stepanos Asoghik

1 Պատմիչների տեղեկություններն ու շինարարական արձանագրության բովանդակությունը տարբեր կերպ են մեկնաբանվում առանձին հետազոտողների կողմից: Հիմք է ընդունված Ասողիկի տեղեկությունը․․․

Etchmiadzin

Etchmiadzin Cathedral

https://etchmiadzinlibrary.am/hy/books/2020/gmbet ՍՈՒՐԲ ԷՋՄԻԱԾԻՆ. ՔՐԻՍՏՈՆԵԱԿԱՆ ԱՌԱՋԻՆ ԳՄԲԵԹԱՎՈՐ ՏԱՃԱՐԸ Հրատարակության վայրը` Ս. Էջմիածին Հրատարակության տարեթիվը` 2020


Telfer, J. Buchan (1876). The Crimea and Transcaucasia, being the narrative of a journey in the Kouban, in Gouria, Georgia, Armenia, Ossety, Imeritia, Swannety, and Mingrelia, and in the Tauric Range. Volume I. London: Henry S. King & Co. p. XXX.

J. Buchan Telfer, Captain in the Royal Navy and Fellow of the Society of Antiquaries,

p. 231 Ejmiatsin; "The interior of the church is gloomy, ineffective, and entirely deficient in any fascinating touches of architectural force and decoration; the walls are covered with heavy designs in fresco of purely Oriental taste, representing flowers, birds, and arabesque ornamentations."

p. 232 The present Patriarch, Gevork (George) IV., has of late years added to the cathedral by extending it at the east end behind the altar; the new erection is in exquisitely bad taste, for it is totally at variance architecturally with the church itself, the decorative style of which has been so affected and maintained in the periodical repairs. This new building, entered from the vestry, is to be hence-forth the treasury, to which strangers will not be admitted except by permission of the Patriarch.

p. 235 the monastery of Etchmiadzin, enclosed by high battlemented walls with turrets, and having the appearance of a vast fortress.



Նորացվող Մայր Տաճարը, ինֆորմատիվ հաղորդում https://www.youtube.com/watch?v=vGteFlhYvwc

Նորոգվում են Ս. Էջմիածնի մայր տաճարի հյուսիսային և հարավային խորանները https://www.shoghakat.am/am/telecasts/25600

https://www.shoghakat.am/am/telecasts/25657 Ս․ Էջմիածնի Մայր Տաճարի նորոգումը https://www.facebook.com/watch/?v=638646287550515


Icons

List of cultural icons of Armenia

List of cultural icons of England, List of cultural icons of Italy, List of cultural icons of Russia


"two of the most cherished symbols of Armenian identity: Mount Ararat and the ancient Armenian capital of Ani" The "Russian" Civil Wars, 1916-1926: Ten Years that Shook the World By Jon Smele

Djivan Gasparyan

Djivan Gasparyan

https://daily.afisha.ru/music/6980-nado-krasivo-zhit-kak-my-pobyvali-v-gostyah-u-dzhivana-gasparyana-v-erevane/ «Надо красиво жить»: как мы побывали в гостях у Дживана Гаспаряна в Ереване

https://www.primeminister.am/en/press-release/item/2021/07/24/Nikol-Pashinyan-Jivan-Gasparyan/ Nikol Pashinyan, Anna Hakobyan attend last farewell ceremony for Jivan Gasparyan

Nikol approval. IRI (& hidden)

https://www.iri.org/search/?_search=armenia
https://www.tert.am/am/news/2021/12/09/Gellup-pashinyan/3739058 Վարչապետի աշխատանքին հավանություն է տալիս հարցված քաղաքացիների 33.4 տոկոսը, իսկ 49.4 տոկոսը հավանություն չի տալիս
Date Poller Fav Unfav Note
Jul 23–Aug 15, 2018 IRI 91% 8% opinion of politician: Nikol Pashinyan
Jul 23–Aug 15, 2018 IRI 82% 17% opinion about the work of each of these institutions: Office of the PM
Oct 9–29, 2018 IRI 85% 13% opinion about the work of each of these institutions: Office of PM
Oct 9–29, 2018 IRI 82% 16% Nikol Pashinyan
May 6-31, 2019 IRI 72% 24% Office of Prime Minister
Sep–Oct 2019 IRI 76% 22% Office of Prime Minister


LGBT

List of LGBT Jews

Armenia's animals and plants

List of mammals of Armenia

Links

https://onlinelibrary.wiley.com/doi/abs/10.1111/nana.12454 A conflict that did not happen: revisiting the Javakhk affair in Georgia

http://lraber.asj-oa.am/6613/ Ժողովրդագրական և հանրալեզվաբանական տվյալները ցույց են տալիս, որ մինչև 1830 թ. միայն Մարտունու Երանոս գյուղում են ապրել 13 տեղաբնիկ ընտանիք, իսկ Զարզեբիլ գյուղում` երկու տեղաբնիկ ընտանիք` 9 անդամով1 :

https://www.jstor.org/stable/596556 The Jews in Pagan Armenia Jacob Neusner

http://lraber.asj-oa.am/3572/ Город Ахалцха. Вопросы этнической истории и традиционного жилища

http://lraber.asj-oa.am/6465/ Russia diaspora

http://lraber.asj-oa.am/4820/ Van city population

http://genhist.asj-oa.am/90/ Van province

http://lraber.asj-oa.am/2916/ Arm sat pop changes

http://echmiadzin.asj-oa.am/14482/ Aragatsotn dialects


http://hpj.asj-oa.am/4534/ Yerevan 1600-1724

http://lraber.asj-oa.am/429/ Ganja gubernia

http://lraber.asj-oa.am/1889/ Basen gavar

http://armstudies.asj-oa.am/71/ 1915 and language

http://armstudies.asj-oa.am/68/ Shushi massacre 1920

http://hpj.asj-oa.am/4699/ Yerevan 1724-1800

Armenian Americans

https://web.archive.org/web/2/https://www.census.gov/population/socdemo/ancestry/Armenian.txt CPH-L-149 Selected Characteristics for Persons of Armenian Ancestry: 1990

A Greek Papyrus in Armenian Script

Category:Greco-Armenian papyrus (BNF) https://www.jstor.org/stable/20190574

Anastas Mikoyan

Between Memory and Memorial: Anastas Mikoyan and “Social Lustration” in Armenia

Անաստաս Միկոյանի արձանի տեղայնացումը՝ որպես «հիշողության վայր»


Byurakan Observatory

Khachikyan, Eduard (1967). "Բյուրականի աստղադիտարանը [Byurakan Observatory]". Garoun (in Armenian) (6). Writers Union of Armenia.

Armenia’s Byurakan Observatory: A Formula for Success

The Byurakan Observatory: Armenia’s Scientific Crown Jewel

Ara Darzi, Baron Darzi of Denham


Խոջալուի մասին Սերժ Սարգսյանի խոսքերը Թոմաս դե Վաալը ենթատեքստից դուրս է մեջբերել


Armenian orthography reform

http://hpj.asj-oa.am/5079/ http://hpj.asj-oa.am/5516/ http://hpj.asj-oa.am/4853/ http://hpj.asj-oa.am/4923/ http://hpj.asj-oa.am/5373/

Հրաչ Մարտիրոսյան

Abeghian

Gregorio Pietro Agagianian

http://echmiadzin.asj-oa.am/1327/ «Մեր օրերի իրական Վասակը» (Արտասահմանյան հայ մամուլի տեսություն)

http://echmiadzin.asj-oa.am/1203/ Կաթողիկե եկեղեցի

http://echmiadzin.asj-oa.am/1384/ Կարդինալ Աղաջանյանի այցելությունը

Saint Sarkis the Warrior

http://echmiadzin.asj-oa.am/13692/ Ս. Սարգսի կերպարը ժողովրդական ավանդազրույցներում

http://echmiadzin.asj-oa.am/10228/ Հայ Եկեղեցու տոնելի սրբերի համառոտ կենսագրությունները

Surp Khach Monastery

http://echmiadzin.asj-oa.am/6432/

Andranik

http://hpj.asj-oa.am/6149/ Անդրանիկ. ծանոթ և անծանոթ հերոսապետը

http://hpj.asj-oa.am/6118/ Զորավար Անդրանիկ Օզանյանի գործունեությունը արտերկրում (1919–1927 թթ.)

Artsakh monuments

http://echmiadzin.asj-oa.am/10336/ Օծվեց Շուշիի Սուրբ Ամենափրկիչ Ղազանչեցոց եկեղեցին

http://echmiadzin.asj-oa.am/2971/ Շուշի քաղաքի Ամենափրկիչ եկեղեցին և Ամարասի ու Գանձասարի վանքերը

http://echmiadzin.asj-oa.am/10164/ Շուշիի պատմական հուշարձանները

http://echmiadzin.asj-oa.am/627/ Գանձասար, 1948

Aram Manukian

http://tert.nla.am/archive/NLA%20TERT/Ashkhatanq_3/1919/1919(h4).pdf

http://hpj.asj-oa.am/6412/ Միլիցիայի կազմակերպումը Վանի նահանգում (1915 թ. հոկտեմբեր – 1916 թ. սեպտեմբեր)

http://echmiadzin.asj-oa.am/789/ Արամ Մանուկյանը և Հայոց նոր պետականության արարումը

http://echmiadzin.asj-oa.am/15197/ Արամ Մանուկյանի պետական գործունեությունը

http://echmiadzin.asj-oa.am/784/ Վան-Վասպուրականի առաջին ժամանակավոր կառավարությունը

http://haygirk.nla.am/cgi-bin/koha/opac-detail.pl?biblionumber=28257

http://haygirk.nla.am/cgi-bin/koha/opac-detail.pl?biblionumber=64520


Saint George's Church, Tbilisi

http://echmiadzin.asj-oa.am/4690/ Թբիլիսիի հայկական եկեղեցիների ճարտարապետությունը

http://echmiadzin.asj-oa.am/3112/ Թբիլիսիի մեյդանի Սուրբ Գևորգ Կաթողիկե Սուրբ Աստվածածին կամ Բերդի Մեծ եկեղեցին (Թբիլիսիի 1500-ամյակի առթիվ)


Armenian Church, Baku

http://echmiadzin.asj-oa.am/11521/ Ադրբեջանի հայոց թեմում 1984

http://echmiadzin.asj-oa.am/3143/ Ադրբեջանի թեմն այսօր 1956

http://echmiadzin.asj-oa.am/6534/ Բաքվի հայոց Ս. Գրիգոր Լուսավորիչ եկեղեցու երգչախումբը Մայր Աթոռում 1970


George Deukmejian

http://www.nytimes.com/1985/04/28/world/california-governor-criticizes-president-on-armenian-issue.html https://www.nytimes.com/1983/04/25/us/killings-of-armenians-marked.html?searchResultPosition=18


Sassuntsi-Davit Tank Regiment

http://echmiadzin.asj-oa.am/21/ «Սասունցի Դավիթ» տանկային շարասյան շքանշանակիր լավագույն հրամանատարները

http://echmiadzin.asj-oa.am/22/ «Սասունցի Դավիթ» տանկային շարասյանուն կառուցելու համար ստացված նվիրատվությունները

http://echmiadzin.asj-oa.am/39/ «Սասունցի Դավիթ» տանկային շարասյան անձնակազմի մարտիկները Հայրենական պատերազմում ցույց են տալիս արիության, խիզախության և հերոսության պանծալի օրինակ

http://echmiadzin.asj-oa.am/51/ «Սասունցի Դաւիթ» հրասայլերը ճակատ կը մեկնին

Armenian victims of the Great Purge

hy:Սիրական Տիգրանյան, hy:1930-ականների բռնաճնշում


Tzarakar
Zvartnots Airport clash July 5, 1988

https://www.nytimes.com/1988/07/06/world/armenians-irate-at-party-conference-results-resume-wide-unrest.html

User:Yerevantsi/1990 May 27

1994 Iranian Air Force C-130 shootdown March 17, 1994

1990s

Daily report. Central Eurasia 80% lack basic food in Armenia https://babel.hathitrust.org/cgi/pt?id=nnc1.cu00733288;view=1up;seq=75

Monte Melkonian

https://hetq.am/en/article/55766

https://web.archive.org/web/20130726070409/http://hetq.am:80/eng/news/8721/monte-melkonian-in-his-own-words.html

https://massispost.com/2011/11/which-%E2%80%9Cavo%E2%80%9D-was-monte/

references

  1. Suny, Ronald Grigor (1993). Looking toward Ararat: Armenia in modern history. Bloomington: Indiana University Press. p. 273. ISBN 9780253207739.
  2. Baliozian, Ara (1980). The Armenians: Their History and Culture. New York: AGBU Ararat Press. p. 60.
  3. Baliozian, Ara (1980). The Armenians: Their History and Culture. New York: AGBU Ararat Press. pp. 62–63.
  4. Schwarz, Boris (1965). "Soviet Music since the Second World War". The Musical Quarterly. 51 (1). Oxford University Press: 278.
  5. Page, Tim (May 25, 1983). "Khachaturian Tribute Five Years After Death". The New York Times.
  6. Rockwell, John (July 27, 2005). "Trivial to Some and a Comedy to Others, a Ballet Revels in the Past". The New York Times. ...Khachaturian's stentorian "Spartacus."
  7. Dunning, Jennifer (September 23, 2001). "DANCE; The Spirit Is Classical, But the Style Is Harlem". The New York Times. He had fallen in love with Khachaturian's rich and juicy Spartacus, a monumental score in every way.
  8. Rockwell, John (July 25, 2005). "A Soviet-Era Vision of a Rebellion by Roman Slaves". The New York Times. Khachaturian's score, cut and revised for Mr. Grigorovich, is similarly cinematic; in other words, it often sounds like movie music. At its best, it's Shostakovich without the genius. But Lord knows it's vigorous.
  9. Holland, Bernard (December 10, 1989). "Review/Music; Armenian Orchestra in Mini-Tour". The New York Times.
  10. Breit, Harvey (August 14, 1955). "IN AND OUT OF BOOKS: Curtain". The New York Times.
  11. "Budapest Gypsy Orchestra The Budapest Gypsy Orchestra". AllMusic. Retrieved 9 April 2014.
  12. "Richard Galliano & Cadence Ensemble (Aram Khachaturian – Sabre Dance)". 14 January 2011. Retrieved 28 August 2014.
  13. "Ռիշար Գալիանոյի համերգը' մարտի 5-ին [Richard Galliano's concert on March 5]" (in Armenian). Public Radio of Armenia. 4 March 2012. Retrieved 28 August 2014. Ռիշար Գալիանոն ասում է, որ մեծ հաճույքով նվագում է Արամ Խաչատրյանի «Սուսերով պարը»,
  14. http://www.khachaturian.am/eng/konzert.htm
  15. Khachaturian, Violin Concerto, EMI CDC 7 47087 2, CD liner notes by Geoffrey Norris
  16. NAXOS Liner notes by Kevin Sutton
  17. NAXOS Liner notes by Kevin Sutton
  18. NAXOS Liner notes by Kevin Sutton
  19. Khachaturian, Violin Concerto, EMI CDC 7 47087 2, CD liner notes by Geoffrey Norris
  20. "Error | Kennedy Center".
  21. NAXOS Liner notes by Kevin Sutton
  22. Khachaturian, Violin Concerto, EMI CDC 7 47087 2, CD liner notes by Geoffrey Norris
  23. ^ Mermelstein, David (September 23, 2001). "MUSIC; A Big Hit In Need Of Revival". The New York Times.
  24. Schweitzer, Vivien (November 13, 2008). "Energy From a Composer Can Fuel a Player's Flight". The New York Times.
  25. Pritsker, Maya (October 5, 2003). "MUSIC; What Could Khachaturian Do Besides An Encore?". The New York Times.
  26. ^ Balakian 2018, pp. 38–39. sfn error: no target: CITEREFBalakian2018 (help)
  27. An old measure of weight. Also means chalice in Classical Armenian.
  28. ^ Harutyunyan 1992, p. 232.
  29. Adamyan, Sona (15 March 2022). "Ե՞րբ կավարտվեն մայր տաճարի հիմնանորոգման աշխատանքները [When will the renovation of the cathedral be completed?]". hraparak.am (in Armenian). Archived from the original on 15 March 2022.
  30. Chakelian, Anoosh (14 October 2020). "Watching the war in Nagorno-Karabakh, I think of my Armenian ancestors fleeing their home". New Statesman. Archived from the original on 4 April 2021. Yet my most vivid memory from that trip is of the view of snow-capped Mount Ararat, a holy icon of Armenia where Noah's Ark was supposed to have landed.
  31. Barron, Liz (June 26, 2017). "My First Week as an Older Peace Corps Volunteer in the Caucasus". peacecorps.gov. Peace Corps. Archived from the original on 4 April 2021. I have a view of Mount Ararat from my bedroom near Artashat in Armenia. The mountain, the national icon of Armenia...
  32. Christofakis, Anastasia (2015). "The Music That Shaped a Nation: The Role of Folk Music, the Duduk, and Clarinet in the Works of Contemporary Armenian Composers Aram Khachaturian and Vache Sharafyan". Florida State University College of Music. p. 19. Archived from the original on 9 November 2020. Armenian musicians today feel that there is no question where the duduk originated, as it has become an iconic instrument for Armenians everywhere.
  33. "History of the Duduk". AGBU (via Society for Safeguarding of the Armenian Folk Music). 2017. Archived from the original on 4 April 2021. ...the Duduk has very iconic values for Armenians.
  34. Archeology of Madness: Komitas, Portrait of an Armenian Icon. Rita Soulahian Kuyumjian · 2001
  35. "A homophobic and transphobic policy is being implemented at the state level in Armenia. Mel Daluzyan". lgbtnews.am. 22 November 2017.
  36. Avetisyan, Armine; Musavi, Nika; Parulava, Dato (16 May 2018). "Forced from home for being queer". oc-media.org. OC Media.
  37. Manning, Paul; Shatirishvili, Zaza (2011). "The Exoticism and Eroticism of the City: The »kinto« and his City". In Darieva, Tsypylma; Kaschuba, Wolfgang; Krebs, Melanie (eds.). Urban Spaces After Socialism: Ethnographies of Public Places in Eurasian Cities. Frankfurt: Campus Verlag. p. 265. ...Parajanov's well-known homosexuality...
  38. Batuman, Elif (13 March 2010). "Sergei Paradjanov: film-maker of outrageous imagination". The Guardian. In 1947, Paradjanov spent a brief stint in a Georgian prison for committing "homosexual acts" (which were illegal under Soviet law) – with, of all people, a KGB officer.
  39. "The Parajanov Case". The New York Review of Books. 18 March 1982. In 1978, Sergei Parajanov was released from a Soviet prison after serving four years of an eleven year sentence. Charged with selling gold and icons illegally and with committing homosexual acts, he was found guilty in closed court.
  40. Wheeler, Angela; Dunbar, William (15 March 2017). "Soviet po-mo: what can we learn from Georgia's forgotten master architect?". The Calvert Journal. Calvert 22 Foundation. Parajanov was openly gay, and both he and Jorbenadze were caught up in the downfall of a homosexual KGB officer in the late 1940s. Jorbenadze left Tbilisi, and may have been sentenced to a term in a mental institution before heading to architecture school in Moscow, while Parajanov served the first of many sentences for "immorality."
  41. ^ Atamian, Christopher (5 February 2018). "Reaching Out to All Armenians: 'Equality Armenia' and the Fight for LGBTQ Rights". Armenian Weekly. The fact that some of Armenia's most revered historical figures—including filmmaker Sergei Parajanov and poets Vahan Tekeyan and Yeghishe Charents—are regarded by many as having been gay would seem to argue in favor of handing the community an olive branch. In the 16th century, the Church had a Catholicos, Grigor Aghtamartsi, who besides being known for his particular devotion to nationalist causes also gave us the only known piece of Armenian medieval homoerotic poetry: "Tagh Siro" ("Love Song").
  42. Razlogov, Kirill (2018). "Parajanov in prison: an exercise in transculturalism". Studies in Russian and Soviet Cinema. 12 (1). Taylor & Francis: 39. Parajanov accepted the conviction on sodomy (he called it 'my vice' in his letters to family) and expected a one-year sentence, but got five years instead, serving four of them (Paradzhanov 2000). Without going into details, we can consider his bisexuality – a wife and a loved child, on the one hand, and numerous confirmed homosexual affairs, on the other – as part of his transculturality...
  43. Paley, Tony (7 October 2014). "The Colour of Pomegranates: a chance to savour a poetic masterpiece". The Guardian. Parajanov, who according to Steffen "was probably bisexual, with a preference for men, especially in his later life"...
  44. Steffen, James (2013). The Cinema of Sergei Parajanov. University of Wisconsin Press. p. 5. ISBN 9780299296537. ...based on the available evidence Parajanov was probably bisexual with a preference for men, especially later in life.
  45. Nichanian, Marc, ed. (2003). Yeghishe Charents: Poet of the Revolution. Mazda Publishers. p. 196. ISBN 9781568591124. First, as I have noted, Charents was bisexual.
  46. Journal of the Society for Armenian Studies, 2005, Volumes 14-16, page 181, "...through several articles, of eroticist and homoerotic pieces by Charents', convincingly pinpointing the poet's bisexual..."
  47. Schumacher, Mary Louise. "Hyperallergic, at Age 9, Rivals the Arts Journalism of Legacy Media". Nieman Reports. Nieman Foundation for Journalism. Veken Gueyikian had a problem. It was 2009, and he was in love with an unhappy arts writer. His husband, art critic Hrag Vartanian...
  48. "Միասեռական Թեքեյանը" (in Armenian). tert.am. 23 September 2010. Archived from the original on 26 April 2019.
  49. "GALAS Marks Two Decades of Service to Armenian LGBT Community". Asbarez. 27 June 2018. GALAS honored several LGBTQ Armenian activists at this year's gala, including James Adomian...
  50. Litoff, Alyssa; Effron, Lauren (9 May 2011). "Chaz Bono's 'Transition': Bono Talks About Gender Reassignment Surgery and What It's Done for His Sex Life". ABC News.
  51. Vitello, Paul (October 15, 2011). "Ray Aghayan, Costume Designer, Dies at 83". The New York Times. Gorgen Ray Aghayan was born on July 28, 1928, in Tehran to a wealthy family of Armenian heritage.
  52. "George Stambolian, Anthology Editor, 54". The New York Times. December 26, 1991.
  53. Bendix, Trish (August 12, 2008). "Lesbian Chic". AfterEllen. Archived from the original on August 12, 2011.
  54. "Greek-American Style Icon Patricia Field: "Don't look at magazines for what to dress"". NEO Magazine. September 7, 2013. Archived from the original on 19 January 2021. My dad was born in Constantinople (Istanbul). My dad was Armenian; my mother Greek.