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Revision as of 07:56, 11 July 2011 view sourceJBW (talk \| contribs)Autopatrolled, Administrators196,122 editsm Protected Zeibekiko: Continuation of disruptive editing from before previous protection. ( (expires 07:56, 11 August 2011 (UTC)) (expires 07:56, 11 August 2011 (UTC)))← Previous edit		Revision as of 07:57, 11 July 2011 view source JBW (talk \| contribs)Autopatrolled, Administrators196,122 edits semiprotectedNext edit →
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			{{pp-semi-protected\|small=yes}}
	{{Greekmusic}}		{{Greekmusic}}
	'''Zeibekiko''' or '''Zeybekiko''' ({{lang-el\|Ζεϊμπέκικο}}) is a Greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The name of the dance derives from the ] warriors of ].<ref>{{cite dictionary\|last=Babiniotis\|first=Georgios\|year=1998\|encyclopedia=Lexiko tis Neas Ellinikis Glossas\|title=ζεϊμπέκικος\|page=709\|publisher=Kentro Lexikologias\|place=Athens}}</ref> It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].		'''Zeibekiko''' or '''Zeybekiko''' ({{lang-el\|Ζεϊμπέκικο}}) is a Greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The name of the dance derives from the ] warriors of ].<ref>{{cite dictionary\|last=Babiniotis\|first=Georgios\|year=1998\|encyclopedia=Lexiko tis Neas Ellinikis Glossas\|title=ζεϊμπέκικος\|page=709\|publisher=Kentro Lexikologias\|place=Athens}}</ref> It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].

Revision as of 07:57, 11 July 2011

Music of Greece

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Macedonia Peloponnese Thessaly
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Zeibekiko or Zeybekiko (Template:Lang-el) is a Greek folk dance with a rhythmic pattern of 9/4 or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The name of the dance derives from the Zeibek warriors of Anatolia. It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and humor.

References

Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, Canadian Issue (Sep., 1972), p. 577.
Babiniotis, Georgios (1998). "ζεϊμπέκικος". Lexiko tis Neas Ellinikis Glossas. Athens: Kentro Lexikologias. p. 709.

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Revision as of 07:56, 11 July 2011 view sourceJBW (talk \| contribs)Autopatrolled, Administrators196,122 editsm Protected Zeibekiko: Continuation of disruptive editing from before previous protection. ( (expires 07:56, 11 August 2011 (UTC)) (expires 07:56, 11 August 2011 (UTC)))← Previous edit		Revision as of 07:57, 11 July 2011 view source JBW (talk \| contribs)Autopatrolled, Administrators196,122 edits semiprotectedNext edit →
Line 1:		Line 1:
			{{pp-semi-protected\|small=yes}}
	{{Greekmusic}}		{{Greekmusic}}
	'''Zeibekiko''' or '''Zeybekiko''' ({{lang-el\|Ζεϊμπέκικο}}) is a Greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The name of the dance derives from the ] warriors of ].<ref>{{cite dictionary\|last=Babiniotis\|first=Georgios\|year=1998\|encyclopedia=Lexiko tis Neas Ellinikis Glossas\|title=ζεϊμπέκικος\|page=709\|publisher=Kentro Lexikologias\|place=Athens}}</ref> It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].		'''Zeibekiko''' or '''Zeybekiko''' ({{lang-el\|Ζεϊμπέκικο}}) is a Greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The name of the dance derives from the ] warriors of ].<ref>{{cite dictionary\|last=Babiniotis\|first=Georgios\|year=1998\|encyclopedia=Lexiko tis Neas Ellinikis Glossas\|title=ζεϊμπέκικος\|page=709\|publisher=Kentro Lexikologias\|place=Athens}}</ref> It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].

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