| Revision as of 14:07, 2 May 2013 editPigsonthewing (talk | contribs)Autopatrolled, Event coordinators, Extended confirmed users, Page movers, File movers, IP block exemptions, New page reviewers, Pending changes reviewers, Rollbackers, Template editors266,536 edits added Category:People from Frankfurt using HotCat← Previous edit | Revision as of 14:18, 2 May 2013 edit undoPigsonthewing (talk | contribs)Autopatrolled, Event coordinators, Extended confirmed users, Page movers, File movers, IP block exemptions, New page reviewers, Pending changes reviewers, Rollbackers, Template editors266,536 edits VIAfNext edit → | ||
| Line 35: | Line 35: | ||
| ==References== | ==References== | ||
| {{reflist}} | {{reflist}} | ||
| {{Authority control |VIAF= 210478575}} | |||
| ] | ] | ||
Revision as of 14:18, 2 May 2013
| Jochem Hendricks | |
|---|---|
| Born | c1959 |
| Occupation | Artist |
Jochem Hendricks (born c1959) is a contemporary artist from Frankfurt, Germany. One of his works which asked "far-reaching questions about the value and meaning of labour", involved paying illegal immigrants to count millions sand grains over a period of over eight years.
His earlier work included "eye drawings" whereby his pupils where tracked by a head-mounted scanner; the results were printed out and exhibited at the San Francisco Museum of Modern Art. His first solo exhibition in London was held at the Haunch of Venison in Aug 2007. In 2013, The New Art Gallery Walsall exhibited a collection of his installations, sculpture, film and paintings.
References
- ^ The Independent, Art and man-made diamonds, 13 August 2007
- Henley, Jon. Comment & Debate: Diary, The Guardian 25 July 2007
- Rugoff, Ralph Virtual corridors of power, Financial Times, 31 March 2001
- DAILYLIVE Coventry Telegraph, 9 March 2013