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Revision as of 07:14, 29 July 2013

The Truth About Love Tour
World tour by Pink
File:Truth About Love Tour.jpg
Location
  • Australia
  • Europe
  • North America
Associated albumThe Truth About Love
Start dateFebruary 13, 2013 (2013-02-13)
End dateDecember 14, 2013 (2013-12-14)
Legs4
No. of shows139
Box office61.1 million
WebsiteTour website
Pink concert chronology

The Truth About Love Tour is the sixth concert tour by American recording artist Pink. Supporting her sixth studio album The Truth About Love (2012), the tour will play nearly 140 shows in Australia, Europe and North America. Over 320,000 tickets for the Australian leg were sold in a few hours of release. Sponsored by CoverGirl, the tour is expected to continue into 2014. The tour will break records in Australia, being the most attended concert in Melbourne, which she had set herself in 2009's Funhouse Tour, selling 200,000 tickets only in Melbourne.

Opening acts

Set list

The following set list is representative of the show on February 16, 2013. It is not representative of all concerts for the duration of the tour.

  1. "Raise Your Glass"
  2. "Walk of Shame"
  3. "Just Like a Pill"
  4. "U + Ur Hand"
  5. "Leave Me Alone (I'm Lonely)"
  6. "Try"
  7. "Wicked Game"
  8. "Just Give Me a Reason"
  9. "Trouble"
  10. "Are We All We Are"
  11. "How Come You're Not Here"
  12. "Sober"
  13. "Family Portrait"
  14. "Who Knew"
  15. "Fuckin' Perfect"
  16. "Most Girls" / "There You Go" / "You Make Me Sick"
  17. "Slut Like You"
  18. "Blow Me (One Last Kiss)"

Encore

  1. "So What"
  2. "Glitter in the Air"

Critical response

The Truth About Love Tour has received acclaim from music critics. Jason Bracelin from the Las Vegas Review-Journal calls P!nk a "party girl with a heart of gold", while Jim Harrington from Mercury News says P!nk "is the new gold standard", adding that "you definitely don't walk away from a Pink show shrugging your shoulders and muttering 'meh.' It's far more likely that fans practically skip out of the building, feeling extremely satisfied with the experience and determined to tell others to 'go see Pink next time she's in town' Honesty is, as they say, the best policy. And, after watching the Truth About Love Tour, I can honestly say that few, if any, performers deliver better pop spectacles than Pink."

August Brown of Los Angeles Times opined that Pink is "perhaps the most gifted and imaginative physical performer in pop right now." He believes P!nk's set serves as a reminder that "her best asset in performing – more than her aerialist talents or Joplin-esque power-rasp voice, is her self-awareness." Steve Appleford from Rolling Stone, who was also at the L.A. show, described the vaudeville as a "grown-up, sophisticated show, and Pink was relaxed and chatty between songs." He went on to praise the singer, adding that "by the time Pink was soaring gracefully through the air on cables stretched across the arena to perform "So What," the singer had demonstrated an epic workout of vocals, stagecraft and stunt-work without missing a note. The night’s best special effect was Pink herself." Craig Rosen from The Hollywood Reporter sums up the show, saying: "P!nk launches back to the top of pop with acrobatic stunts and killer vocals." After the Houston show, Jane Howze from Culture Map Houston gave a positive review, believing that The Truth About Love show is poised to be 2013's concert of the year. She adds: "I have always said that Chris Martin, frontman of Coldplay is the hardest working entertainer around, but I’m reconsidering, and now I’m giving Pink the nod. A Pink concert is a little like a Cirque du Soleil performance. There is so much happening on stage—the songs, the dancing and of course the acrobatics—it is a feast for the senses."

Giving a rave review, Sean Daly of Times Pop Music Critic, says P!nk has proven "there are no longer any viable excuses for a performer to ever lip-synch again. If this 33-year-old mommy could soulfully belt out opening hit Raise Your Glass while boing-boing-ing rafter-high via bungee ropes, the Britneys and Beyonces of the Top 40 realm can't claim dance moves or chilly climes as decent reasons to switch off the mike." Of her Palace of Auburn Hills show, Adam Graham of The Detroit News says: "Tuesday's concert was Pink's first area headlining show since 2002, and she's now entered a master class of pop spectacle providers. She displayed the physicality of Madonna in the way she lead her troupe of dancers, and the production was on par with that of any big name pop act".

Mario Tarradel of Dallas News, in his review of P!nk's Dallas show, stated that "It’s easy to like Pink. Her rock-charged brand of pop-dance is radio ready, but it’s anchored in wit and grit. She’s got a pliable voice with lung power and melodic grace. She’s unbelievably taut with abs of steel and an adventurous streak. She’s got attitude, and no qualms about tossing a few expletives.But mostly Pink is an awesome performer. Pink is a natural." Tornoto Sun was praising P!nk's performing abilities:"Pink was up for anything and everything as she bounced around on bungee cords, twirled around on hanging cloths, danced like a modern day Isadora Duncan and in the show’s jaw-dropping pentultimate song, So What, flew around the arena attached to four cables that turned her into a rock n’ roll Tinkerbell.She was equal parts gymnast, singer, dancer and even drummer." Star Tribune gave the show overwhelming review, stating that P!nk put on arguably the most daring concert in the history of arena rock. It was incredibly entertaining — way superior to Madonna’s and Lady Gaga’s. It set a standard that Rihanna (coming Sunday) and Beyoncé (due in July) will have to live up to.

Jim Farber of NY Daily News gave the rave review to the show, saying that Pink reaches new heights in performance that puts her talent, composure on display ... yet it’s to Pink's considerable credit that no matter how many bright lights, fast-moving sets or fancy dancers surrounded her, she kept her talent and character front and center. In the end, that’s what gave the audience its ultimate high. Entertainment Weekly was praising P!nk's vocals and performing skills: "The “Truth Above Love” tour is a lot of things (including game show and circus) but it is one thing above all: a showcase for the power-pop anthem, which Pink pulled and pushed on with a showboating snarl. Do you have to be a Pink fan to enjoy the tour? It’s a ridiculous question: you’ll be blasted by almost two hours of music and end up a Pink fan, regardless. The wall-to-wall setlist had its interludes, in the form of spotlit one-offs (a guitar solo; an appearance by a man-in-the-moon straight out of a Méliès short; philosophy from our host of the game show-within-a-tour) and a late-in-the-night turn toward the acoustic. But the audience filled in around even the sound of a lone instrument. This was not the kind of crowd for stillness."

James Reed of Boston Globe praised her vocals, stating that she is the rare performer who handles party anthems (“Raise Your Glass”) and heartbreaking ballads (“Just Give Me a Reason”) with equal élan. The Irish Times gave the show extremely positive review, stating that as ever with Pink, it is all about the movements, her athleticism, a wow factor that makes Madonna’s taught and precise dance scenes on the MDNA Tour seem desperately flat. So here’s the key: the reason Pink’s live show is one of the best in the world is her live USP, which is aerial athleticism. You can have all the pyro you want at a Rihanna show, and all the ridonkulous costume changes at a Gaga gig, but Pink can FLY. The sense of danger as she descends silks, clambers around a spinning steal globe cage, the Broadway bonanza of her zip-lining into the gods, that’s what makes Pink gigs next level. And man do the crowd appreciate it. Screaming women with identikit haircuts whoop her every flex and step. They know that nobody else can do a show like this. It’s Pink’s territory and hers alone.It’s an aesthetic, however, that is also pretty over. While the topic of sex is occasionally apparent in Pink’s writing (most awkwardly in ‘**** Like You’), she is a completely different beast to the plastic sex cartoons that Katy Perry, Britney, Christina, Rihanna, and basically every other poptart animate. Some people take all the glory for themselves, but Pink puts on a show, and then acknowledges the hard work from many that goes into it, even if as the remarkable centrepoint to it, she could probably claim all the kudos in the world.

Alice Vincent of The Daily Telegraph gave the show 4/5 stars, praising the show's setlist:"Pink’s set list was well curated from an extensive back catalogue, rewarding hardened fans with a short medley of the early RnB tracks which made her a star. That these were performed with the same genuine enthusiasm as the hits from her last album (her seventh but first to make number one in America), is a testament to Pink’s talent, and explains why she continues to sell records. Ten-year-old songs don’t sound dated because she has maintained the same energy and sass that she created them with." Ian Gittins of The Guardian gave the show 4/5 stars, stating that Pink may not be the most original singer-songwriter touring the world's enormodomes, nor the most gifted, but she makes up for these shortcomings with a live show akin to a pop-punk take on Cirque du Soleil.

Polly Coufos of The Australian praised the P!nk's cover of Cyndi Lauper's Time After Time:"A little later this fearlessness was echoed with her first performance of Cyndi Lauper's Time After Time. She tackled the pop classic with the lyrics in her hand, the tentative reading providing great balance with the precision required for most of the numbers. That may be Pink's greatest asset, that she can create a spectacular show that more than matches her peers, but the glitz never hides the pure, unvarnished talent at her core." Herald Sun reviewed one of P!nk's 18 Melbourne shows:"P!nk's The Truth About Love tour takes concerts to the next level by aiming for the sky. The singing acrobat spends a good third of this new show in the air defying gravity because, unlike 99 per cent of her contemporaries, she can. And even when she's hanging upside down or spinning above your head she's singing completely live. Again, because she can."

Commercial performance

The first North American leg of tour grossed $28.3 million from 26 shows, with an average gross per city of $1,134,385. The European leg grossed $30.7 million. The nine-week leg of Australia is expected to generate $100 million.

Development

To set up the tour, it took 747 jumbo jets, 80 crew members and 19 semi-trailers to set up her 400 tonnes of equipment. She also opened her first "pop up" store which features things that are not normally available at her concerts. Merchandise includes autographed items, backstage passes, t-shirts, key rings, show tickets, etc.

Shows

Date City Country Venue Attendance Gross revenue
Leg 1 — North America
February 13, 2013 Phoenix United States US Airways Center 14,267 / 14,267 $938,923
February 15, 2013 Las Vegas Mandalay Bay Events Center 9,511 / 9,511 $1,033,984
February 16, 2013 Los Angeles Staples Center 15,562 / 15,562 $1,140,275
February 18, 2013 San Jose HP Pavilion at San Jose 14,187 / 14,187 $1,043,587
February 21, 2013 Houston Toyota Center 13,247 / 13,646 $1,067,357
February 22, 2013 Dallas American Airlines Center 15,567 / 15,567 $1,154,934
February 24, 2013 Orlando Amway Center 13,414 / 13,414 $965,525
February 25, 2013 Sunrise BB&T Center 13,732 / 13,732 $979,399
February 27, 2013 Tampa Tampa Bay Times Forum 13,887 / 13,887 $1,004,292
March 1, 2013 Atlanta Philips Arena 14,475 / 14,475 $990,929
March 2, 2013 Nashville Bridgestone Arena 14,742 / 14,742 $1,014,329
March 5, 2013 Auburn Hills The Palace of Auburn Hills 16,038 / 16,038 $1,132,177
March 6, 2013 Columbus Value City Arena 14,841 / 14,841 $985,678
March 8, 2013 Louisville KFC Yum! Center 17,686 / 17,686 $1,092,401
March 9, 2013 Chicago United Center 16,609 / 16,609 $1,195,791
March 11, 2013 Toronto Canada Air Canada Centre 16,188 / 16,188 $1,296,550
March 12, 2013 Montreal Bell Centre 16,873 / 16,873 $1,247,810
March 14, 2013 Washington, D.C. United States Verizon Center 15,209 / 15,209 $1,196,486
March 16, 2013 Charlotte Time Warner Cable Arena 15,407 / 15,407 $1,011,592
March 17, 2013 Philadelphia Wells Fargo Center 16,611 / 16,611 $1,321,255
March 19, 2013 Saint Paul Xcel Energy Center 15,818 / 15,818 $1,146,010
March 22, 2013 New York City Madison Square Garden 14,131 / 14,131 $1,347,083
March 23, 2013 East Rutherford Izod Center 17,143 / 17,143 $1,285,608
March 25, 2013 Uniondale Nassau Veterans Memorial Coliseum 13,740 / 13,740 $1,066,954
March 27, 2013 Uncasville Mohegan Sun Arena 5,789 / 5,789 $604,851
March 28, 2013 Boston TD Garden 14,766 / 14,766 $1,142,061
Leg 2 — Europe
April 12, 2013 Dublin Ireland The O2 Dublin 12,889 / 12,889 $1,033,630
April 14, 2013 Manchester England Manchester Arena 35,610 / 35,610 $2,320,760
April 15, 2013
April 17, 2013 Paris France Palais Omnisports de Paris-Bercy 17,000 / 17,000 $1,203,450
April 19, 2013 Amsterdam Netherlands Ziggo Dome 16,771 / 16,771 $1,174,110
April 21, 2013 Birmingham England LG Arena 14,947 / 14,947 $975,121
April 24, 2013 London The O2 Arena 69,162 / 69,162 $4,894,420
April 25, 2013
April 27, 2013
April 28, 2013
April 30, 2013 Antwerp Belgium Sportpaleis 20,052 / 20,052 $1,240,880
May 1, 2013 Hamburg Germany O2 World Hamburg 13,016 / 13,016 $909,572
May 3, 2013 Berlin O2 World Berlin 14,513 / 14,513 $940,673
May 4, 2013 Hannover TUI Arena 11,593 / 11,593 $871,651
May 6, 2013 Düsseldorf ISS Dome 10,848 / 10,848 $734,534
May 7, 2013 Frankfurt Festhalle Frankfurt 11,965 / 11,965 $808,467
May 9, 2013 Vienna Austria Wiener Stadthalle 14,858 / 14,858 $1,146,330
May 10, 2013 Prague Czech Republic O2 Arena 17,322 / 17,322 $969,882
May 12, 2013 Leipzig Germany Arena Leipzig 12,342 / 12,342 $832,750
May 13, 2013 Dortmund Westfalenhalle 11,617 / 11,617 $797,815
May 15, 2013 Oberhausen König Pilsener Arena 11,768 / 11,768 $818,667
May 16, 2013 Mannheim SAP Arena 11,937 / 11,937 $809,357
May 18, 2013 Munich Olympiahalle 25,855 / 25,855 $1,759,650
May 19, 2013
May 21, 2013 Zurich Switzerland Hallenstadion 13,000 / 13,000 $1,276,790
May 22, 2013 Stuttgart Germany Hanns-Martin-Schleyer-Halle 13,196 / 13,196 $941,962
May 25, 2013 Oslo Norway Telenor Arena 16,685 / 17,967 $1,659,300
May 26, 2013 Stockholm Sweden Ericsson Globe 14,975 / 14,975 $1,134,870
May 28, 2013 Helsinki Finland Hartwall Arena 11,464 / 11,464 $1,005,060
May 30, 2013 Herning Denmark Jyske Bank Boxen 15,160 / 15,160 $1,396,530
Leg 3 — Australia
June 25, 2013 Perth Australia Perth Arena 58,587 / 58,587 $7,287,630
June 26, 2013
June 28, 2013
June 29, 2013
July 1, 2013 Adelaide Adelaide Entertainment Centre
July 2, 2013
July 4, 2013
July 5, 2013
July 7, 2013 Melbourne Rod Laver Arena
July 8, 2013
July 10, 2013
July 11, 2013
July 13, 2013
July 14, 2013
July 16, 2013
July 17, 2013
July 19, 2013 Brisbane Brisbane Entertainment Centre
July 20, 2013
July 22, 2013
July 23, 2013
July 30, 2013 Sydney Sydney Entertainment Centre
July 31, 2013
August 2, 2013
August 3, 2013
August 6, 2013
August 7, 2013
August 9, 2013
August 10, 2013
August 13, 2013 Melbourne Rod Laver Arena
August 14, 2013
August 16, 2013
August 17, 2013
August 19, 2013
August 20, 2013
August 22, 2013
August 23, 2013
August 25, 2013
August 26, 2013
August 29, 2013 Brisbane Brisbane Entertainment Centre
August 30, 2013
September 1, 2013 Sydney Allphones Arena
September 2, 2013
September 4, 2013
September 5, 2013
September 7, 2013 Brisbane Brisbane Entertainment Centre
September 8, 2013
Leg 4 — North America
October 10, 2013 Oakland United States Oracle Arena
October 12, 2013 Los Angeles Staples Center
October 13, 2013
October 15, 2013 San Jose HP Pavilion at San Jose
October 17, 2013 Salt Lake City EnergySolutions Arena
October 18, 2013 Denver Pepsi Center
October 20, 2013 Seattle Key Arena
October 21, 2013 Vancouver Canada Rogers Arena
October 23, 2013 Edmonton Rexall Place
October 24, 2013 Saskatoon Credit Union Centre
October 26, 2013 Winnipeg MTS Centre
October 27, 2013 Fargo United States Fargodome
November 2, 2013 Minneapolis Target Center
November 3, 2013 Milwaukee BMO Harris Bradley Center
November 5, 2013 Chicago United Center
November 6, 2013 Auburn Hills The Palace of Auburn Hills
November 8, 2013 Des Moines Wells Fargo Arena
November 9, 2013 Lincoln Pinnacle Bank Arena
November 11, 2013 St. Louis Scottrade Center
November 12, 2013 Kansas City Sprint Center
November 14, 2013 San Antonio AT&T Center
November 16, 2013 Dallas American Airlines Center
November 17, 2013 North Little Rock Verizon Arena
November 20, 2013 Rosemont Allstate Arena
November 21, 2013 Indianapolis Bankers Life Fieldhouse
November 23, 2013 Cleveland Quicken Loans Arena
November 24, 2013 Washington D.C. Verizon Center
November 30, 2013 Toronto Canada Air Canada Centre
December 2, 2013
December 3, 2013 Montreal Bell Centre
December 5, 2013 Boston United States TD Garden
December 6, 2013 Philadelphia Wells Fargo Center
December 8, 2013 New York City Barclays Center
December 9, 2013
December 11, 2013 Newark Prudential Center
December 13, 2013 Birmingham BJCC Arena
December 14, 2013 Atlanta Philips Arena
TOTAL 876,572 / 878,253 $67,349,702

Notes

  1. The September 7, 2013 show at the Brisbane Entertainment Centre in Brisbane was originally scheduled to take place on August 27, 2013.

Cancelled shows

Date City Country Venue Reason for cancellation
April 22, 2013 Birmingham England LG Arena Sickness

References

  1. http://www.webcitation.org/6I4jFIS5z
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  3. "P!nk Reveals The Hives, City And Colour To Join The Truth About Love North American Tour" (Press release). PR Newswire. November 12, 2012. Archived from the original on February 28, 2013. Retrieved February 28, 2013.
  4. Kennedy, Gerrick D. (September 17, 2012). "Pink brashly tells 'The Truth About Love'". Los Angeles Times. Archived from the original on February 28, 2013. Retrieved October 11, 2012.
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  6. ^
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  39. European tour dates:
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