Misplaced Pages

Gerard Huerta

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
The topic of this article may not meet Misplaced Pages's notability guideline for biographies. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted.
Find sources: "Gerard Huerta" – news · newspapers · books · scholar · JSTOR (June 2019) (Learn how and when to remove this message)
This biography of a living person relies on a single source. You can help by adding reliable sources to this article. Contentious material about living people that is unsourced or poorly sourced must be removed immediately. (June 2019) (Learn how and when to remove this message)
You can help expand this article with text translated from the corresponding article in Spanish. (July 2019) Click for important translation instructions.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Misplaced Pages article at ]; see its history for attribution.
  • You may also add the template {{Translated|es|Gerard Huerta}} to the talk page.
  • For more guidance, see Misplaced Pages:Translation.
(Learn how and when to remove this message)
Gerard Huerta
Born (1952-03-19) March 19, 1952 (age 72)
Los Angeles, California, United States
EducationArt Center College of Design
Occupation(s)typographer
graphic designer

Gerard Huerta is an American typographer and graphic designer. Born and raised in southern California, he graduated from Art Center College of Design and began his career at CBS Records in New York, creating artwork and logos for AC/DC, Boston, Willie Nelson, Ted Nugent, Blue Öyster Cult, Rick Derringer, Bob Dylan, Ramsey Lewis, The Isley Brothers, Harold Melvin and the Blue Notes, George Benson, Rupert Holmes, Stephen Stills, Alvin Lee, The Charlie Daniels Band and many others.

After leaving CBS, Huerta designed lettering for AC/DC’s High Voltage and Let There Be Rock albums, the latter being adopted for the now iconic AC/DC lightning bolt logo (the most tattooed logo in history). He also designed logos and covers for Foreigner, Firefall, Chicago and The Outlaws. Huerta collaborated with Roger Huyssen on the branding for the 1980 Clint Eastwood film Bronco Billy as well as Super Bowl XXVIII, and designed lettering for Super Bowl XXXIV, Coal Miner’s Daughter, Friday the 13th Part III, and the one-sheet artwork for Atlantic City and Star Trek III: The Search For Spock. He also created theme art logos for ten years for the annual Breeders’ Cup event.

Huerta expanded his work beyond the recording and movie industries to design logos for Swiss Army Brands, MSG Network, HBO, CBS Records Masterworks, Waldenbooks, Spelling Entertainment, Nabisco, Calvin Klein's Eternity, Arista Records, Type Directors Club, Pepsi, The National Guitar Museum, and Monterey Peninsula Country Club in addition to the mastheads of Time, Money, People, The Atlantic Monthly, PC Magazine, Adweek, Us, Condé Nast's Traveler, Working Mother, WordPerfect, The American Lawyer, The National Law Journal, The National Catholic Register, Illustration, Connecticut Post, and Architectural Digest as well as corporate alphabets for Waldenbooks, Time-Life, Pepsi and Condé Nast. He designed watch dials for the Original Swiss Army Watch and their complete line for fourteen years and also created original product illustrations.

Huerta also designed the multi-necked fully-playable stringed instrument known as The Rock Ock for the National Guitar Museum, which is on tour along with his Vintage Guitar Art. His work is in the permanent collection of The Museum of Modern Art.

External links


Stub icon

This biographical article about a designer is a stub. You can help Misplaced Pages by expanding it.

Categories: