Hi-NRG is uptempo disco or electronic dance music usually featuring synthetic bassline octaves. This list contains some examples of hi-NRG artists and songs. Hi-NRG songs by non-hi NRG artists are also included.
Contents |
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Artists • Songs (1970s • Early 1980s • Mid- to late 1980s • 1990s • 2000s • 2000s) • Albums • References |
Songs
1970s
Year | Artist | Song | Label |
---|---|---|---|
1977 | Donna Summer | "I Feel Love" | Casablanca / GTO |
1978 | Peter Jacques band | "Fly With the Wind" | Ariola |
1978 | Sylvester | "You Make Me Feel (Mighty Real)" | Fantasy |
Early 1980s
Year | Artist | Song | Label |
---|---|---|---|
1980 | Donna Summer | "Sunset People" | Casablanca |
1980 | Viola Wills | "If You Could Read My Mind" | Hansa |
1981 | Boys Town Gang | "Remember Me / Ain't No Mountain High Enough" | Moby Dick |
1981 | Patrick Cowley | "Get a Little" | Megatone |
1981 | Patrick Cowley | "Megatron Man" | Megatone |
1981 | Patrick Cowley | "Menergy" | Fusion |
1981 | Carol Jiani | "Hit 'N Run Lover" | Matra |
1981 | Lime | "Your Love" | Matra |
1982 | Claudja Barry | "Work Me Over" | Jupiter |
1982 | Patrick Cowley | "Goin' Home" | Megatone |
1982 | Divine | "Native Love (Step By Step)" | "O" |
1982 | The Flirts | "Passion" | "O" |
1982 | Roni Griffith | "Spys" | Vanguard |
1982 | Lime | "Babe, We're Gonna Love Tonight" | Mantra |
1982 | Paul Parker | "Right on Target" | Megatone |
1982 | Q-Feel | "Dancing in Heaven (Orbital Be-Bop)" | Jive |
1982 | Donna Summer | "I Feel Love" (Patrick Cowley Remix) | Casablanca |
1982 | Sylvester | "Do Ya Wanna Funk" | Megatone |
1982 | The Weather Girls | "It's Raining Men" | CBS (UK) |
1982 | Viola Wills | "Stormy Weather" | Sunergy |
1983 | Claudja Barry | "For Your Love" | Personal |
1983 | Miquel Brown | "So Many Men, So Little Time" | Record Shack |
1983 | Dead or Alive | "Misty Circles" (Dance Mix) | Epic |
1983 | Hazell Dean | "Searchin' (I Gotta Find a Man)" | Proto |
1983 | Divine | "Shoot Your Shot" | "O" |
1983 | Frankie Goes to Hollywood | "Relax" | ZTT |
1983 | New Order | "Blue Monday" | Factory |
1983 | William Onyeabor | "Good Name" | Wilfilms |
1983 | Sylvester | "Don't Stop" | Megatone |
1983 | Trans-X (Pascal Languirand) | "Living on Video" | Polydor Records |
Mid- to late 1980s
Year | Artist | Song | Label |
---|---|---|---|
1984 | Agents Aren't Aeroplanes | "The Upstroke" | Proto (UK) |
1984 | Bronski Beat | "Smalltown Boy" | London |
1984 | Bronski Beat | "Why?" | London |
1984 | Dead or Alive | "You Spin Me Round (Like a Record)" | Epic |
1984 | Hazell Dean | "Whatever I Do (Wherever I Go)" | Proto (UK) |
1984 | Divine | "You Think You're a Man" | Proto |
1984 | Fancy | "Get Lost Tonight" | Metronome |
1984 | Fancy | "Slice Me Nice" | Metronome |
1984 | The Flirts | "Helpless (You Took My Love)" | Telefon |
1984 | Frankie Goes to Hollywood | "Two Tribes" | ZTT |
1984 | Fun Fun | "Colour My Love" | X-Energy |
1984 | Fun Fun | "Give Me Your Love" | X-Energy |
1984 | Sylvester | "Rock the Box" | Megatone |
1984 | Evelyn Thomas | "High Energy" | Record Shack (UK) |
1984 | Kim Wilde | "The Second Time" | MCA |
1985 | Bronski Beat | "Hit That Perfect Beat" | London |
1985 | Alaska y Dinarama | "Un hombre de verdad" | Hispavox |
1985 | Bronski Beat | "Run from Love" / "Hard Rain" | London |
1985 | Bronski Beat and Marc Almond | "I Feel Love" | London |
1985 | Divine | "Walk Like a Man" | Proto |
1985 | Madleen Kane | "I'm No Angel" | TSR |
1985 | New Order | "Sub-culture" | Factory Records |
1985 | Madleen Kane | "On Fire" | TSR |
1985 | Lime | "Unexpected Lovers" | Mantra |
1985 | Barbara Pennington | "Vertigo" | Record Shack |
1985 | People Like Us | "Reincarnation (Coming Back For Love)" | Passion (UK) |
1985 | Sinitta | "So Macho" | Fanfare (UK) |
1985 | Suzy Q | "Computer Music" | J.C. |
1985 | Taffy | "I Love My Radio" | Ibiza (Italy) / Transglobal (UK) |
1985 | Village People | "Sex Over the Phone" | Casablanca |
1985 | Betty Wright | "Sinderella" | Jamaica |
1986 | Bananarama | "Venus" | London |
1986 | Claudja Barry | "Down and Counting" | Epic |
1986 | The Communards | "Don't Leave Me This Way" | London |
1986 | Alaska y Dinarama | "¿A quien le importa?" | Hispavox |
1986 | Dead or Alive | "Something in My House" | Epic |
1986 | Man 2 Man and Man Parrish | "Male Stripper" | Bolts |
1986 | Stacey Q | "Two of Hearts" | Atlantic |
1986 | Evelyn Thomas | "How Many Hearts" | Record Shack |
1986 | Kim Wilde | "You Keep Me Hangin' On" | MCA |
1987 | Bona-Riah | "House of the Rising Sun" | Rise |
1987 | The Communards | "Never Can Say Goodbye" | London |
1987 | Paul Lekakis | "Boom Boom (Let's Go Back to My Room)" | ZYX / Polydor |
1987 | New Baccara | "Call Me Up" | Bellaphon |
1987 | Pet Shop Boys | "Always on My Mind" | Parlophone |
1987 | Taffy | "Step by Step" | Transglobal |
1987 | Kylie Minogue | "I Should Be So Lucky" | PWL |
1988 | Erasure | "Knocking on Your Door" | Mute / Sire |
1988 | Erasure | "Stop!" | Mute / Sire |
1988 | Kylie Minogue | "The Loco-Motion" | PWL |
1988 | New Baccara | "Fantasy Boy" | Bellaphon |
1988 | Quantize | "The Sun Ain't Gonna Shine Anymore" | Passion |
1989 | Boy | "Broken Wings" | Flea |
1989 | Eartha Kitt and Bronski Beat | "Cha Cha Heels" | Arista |
1989 | New Baccara | "Touch Me" | Bellaphon |
1989 | Quantize | "You've Lost That Lovin' Feeling" | Passion |
1989 | Donna Summer | "I Don't Wanna Get Hurt" | Warner Bros. |
1989 | Donna Summer | "This Time I Know It's for Real" | Warner Bros. |
1989 | Donna Summer | "Whatever Your Heart Desires" | Atlantic / PWL |
1990s
2000s
Year | Artist | Song | Label |
---|---|---|---|
2000 | A Touch of Class (ATC) | "Around the World (La La La La La)" | King Size |
2003 | The Knife | "Listen Now" | Rabid |
2004 | Jimmy Somerville | "Come On" | Sony BMG |
2005 | Scissor Sisters | "Filthy/Gorgeous" | Universal (US) Polydor (worldwide) |
2006 | Moby feat. Debbie Harry | "New York, New York" | Mute |
2007 | Bloc Party | "Flux" | Wichita |
2007 | Sophie Ellis-Bextor | "China Heart" | Fascination |
2007 | Róisín Murphy | "Cry Baby" | EMI |
2007 | Britney Spears | "Heaven on Earth" | Jive / Zomba |
2008 | Anastacia | "Heavy Rotation" | Mercury |
2008 | Donna Summer | "I'm a Fire" | Burgundy |
2009 | Bananarama | "Dum Dum Boy" | Fascination |
2009 | Bananarama | "Love Comes" | Fascination |
2009 | Shakira | "She Wolf" | Epic |
2009 | Silver Columns | "Brow Beaten" | Silver Columns |
2010s & 2020s
Albums
- 1981: Patrick Cowley – Megatron Man
- 1982: Patrick Cowley – Mind Warp
- 1984: Kim Wilde – Teases & Dares
- 1985: Lime – Unexpected Lovers
- 1988: Dead or Alive – Nude
- 1991: Bananarama – Pop Life
- 1995: Traci Lords – 1000 Fires
- 2004: Bobby Orlando – I Love Bobby "O" (Volume 1)
- 2007: Róisín Murphy – Overpowered
- 2009: Bananarama – Viva
- 2013: Patrick Cowley – School Daze
- 2013: Sally Shapiro – "Somewhere Else"
Artists
- Abigail
- A Touch of Class
- Bananarama
- Claudja Barry
- Biddu
- Boys Town Gang
- Bronski Beat
- Miquel Brown
- Cappella
- The Communards
- Al Corley
- Patrick Cowley
- Dead or Alive
- Hazell Dean
- Divine
- Jason Donovan
- Erasure
- Fancy
- The Flirts
- Frankie Goes to Hollywood
- Nicki French
- Fun Fun
- Ian Levine
- Lime
- Man 2 Man
- Kelly Marie
- Giorgio Moroder
- Alison Moyet
- Bobby Orlando
- Paul Parker
- Roisin Murphy
- Man Parrish
- Pet Shop Boys
- Real McCoy
- RuPaul
- Sinitta
- Jimmy Somerville
- Stacey Q
- Stock Aitken Waterman
- Donna Summer
- Suzy Q
- Sylvester
- Take That
- Evelyn Thomas
- Jeanie Tracy
- Trans-X
- Jessie Ware
- Fiachra Trench
- U.S.U.R.A.
- Village People
- The Weather Girls
- Kim Wilde
- Viola Wills
- Tom Wilson
References
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Donna Summer's 'I Feel Love', a vocal topline ad-libbed over a simple chord-shifted sequence, inaugurated Hi-NRG, anticipating the galloping bass line of much post-House software-sequenced music
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Divine's "Native Love," a rowdy hi-NRG anthem previously pillaged by Nitzer Ebb, the Prodigy, even New Order.
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'Relax' tapped into Hi-NRG's remorseless, metronomic precision and orgiastic vibe – the spasming drum roll at the end of the single feels like an amyl nitrite rush.
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As Bronski Beat's falsetto leader, Somerville made gay politics a hot pop topic with such hi-NRG dance floor staples as "Why?" and "Smalltown Boy"
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This band originally hails from Africa so it's a bit of a surprise to find them performing a commercial slice of Hi-NRG which, compared to other tracks of this ilk, currently doing the rounds, lacks the necessary sparkle.
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It was in 1986 that Stock, Aitken & Waterman produced Bananarama's smash Hi-NRG remake of Shocking Blue's "Venus."
- "Bananarama: Pop in the First Degree". M Magazine. 4 November 2013. Retrieved 31 March 2015.
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The Communards' hi-NRG version makes it clear that the song is as concerned with sexual satisfaction as it is with romance; perhaps more so.
- "Reviews > Dance > Picks > Communards – Don't Leave Me This Way". Billboard. Vol. 98, no. 38. 20 September 1986. p. 73. ISSN 0006-2510.
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a version of R.E.M.'s "Losing My Religion" that infuses the soul that Abigail's 1992 Hi-NRG version lacked.
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{{cite web}}
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'Heaven on Earth', crafted by 'Gimme More' producer Danja, is a hi-NRG Moroder-esque dance track whose lyrics veer more into the territory of generic love song fluff
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"I Wanna Go" is all hi-NRG booty calling, with a possible reference to New Order's "Blue Monday" thrown in.
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"Stop Taking My Time" is a Hi-NRG disco romp à la Nordic neighbour Annie Strand and features, amusingly, a rapping infant.
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Overpowered (EMI) was funky in all senses – skittering from glacial electro to hi-NRG disco
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Viva's 11 infectious hi-NRG tracks
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's Indian-British producer, Biddu, hired both men as session musicians, and his work in the fields of Hi-NRG and electronic disco had a profound influence on 's own production aspirations.
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HI-NRG was the club sound that boosted both Evelyn Thomas and the trash dementis of Divine but it also propelled both the Bronski and Frankie Goes To Hollywood.
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Many of Erasure's songs exemplify the post-disco style called hi-N.R.G. -fast and openly artificial, with synthesized riffs bouncing and ticking in every register.
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worked with Man Parrish, the New York electro and hi-NRG producer, on his self-titled debut album.
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Neil Tennant and Chris Lowe use electronic instruments and work within and across dance-floor genres such as house, Hi-NRG, techno, and many other subgenres.
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Another contender is hi-N.R.G., a fast, cheerful style, first heard in gay San Francisco clubs in the early 1980s and now on the pop Top 40 in hits by Corona and the Real McCoy.
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Eventually, the group worked its way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.
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Owen's debut single Child showcased a more acoustic, psychedelic sound than his Hi-NRG Take That hits.
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