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Margaret (2011 film)

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2011 American film
Margaret
Theatrical release poster
Directed byKenneth Lonergan
Written byKenneth Lonergan
Produced by
Starring
CinematographyRyszard Lenczewski
Edited by
Music byNico Muhly
Production
companies
Distributed byFox Searchlight Pictures
Release date
  • September 30, 2011 (2011-09-30)
Running time150 minutes
186 minutes (Extended cut)
CountryUnited States
LanguageEnglish
Budget$14 million
Box office$623,292

Margaret (/ˌmɑːrɡəˈrɛt/ mar-gə-ret) is a 2011 American psychological drama film written and directed by Kenneth Lonergan. The film stars Anna Paquin, Jean Reno, Mark Ruffalo, J. Smith-Cameron, Jeannie Berlin, Allison Janney, Matt Damon, and Matthew Broderick. Margaret was filmed in 2005 and originally scheduled for release that year by Fox Searchlight Pictures, but was repeatedly delayed while Lonergan struggled to create a final cut he was satisfied with, resulting in multiple lawsuits. The litigation ended in 2014.

Although the studio insisted on a maximum 150-minute runtime, Lonergan's preferred version of Margaret was closer to three hours. Martin Scorsese and Thelma Schoonmaker contributed to editing a 165-minute version that Lonergan approved, but it was never released due to producer Gary Gilbert's refusal. Ultimately, Fox Searchlight Pictures released the 150-minute version in a limited U.S. release on September 30, 2011, to moderately positive reviews from critics. While some found it overlong, it appeared on several best-of-the-year lists. Lonergan completed a three-hour extended version with additional footage, a revised score and sound mix, which was released on DVD in July 2012. Critical praise has grown over time, and Margaret is now regarded as one of the 21st century's best films, ranking 31st in a BBC critics poll.

The film's title is derived from Gerard Manley Hopkins's poem "Spring and Fall: To a Young Child", which is analyzed in Lisa's English class. In the poem, the narrator addresses a young girl named Margaret, who mourns the falling autumn leaves as if they were deceased friends. The narrator informs Margaret that this sense of grief, though it feels profound, is an inescapable part of the human condition.

Plot

A 17-year-old Manhattan student, Lisa Cohen, shopping on the Upper West Side, interacts with bus driver Gerald Maretti as she runs alongside his moving bus; he allows himself to become distracted, leading him to fatally strike a pedestrian, Monica Patterson, who subsequently dies in Lisa's arms. Initially, Lisa reports to the police that the driver had a green traffic signal, but later, out of remorse, changes her story.

Lisa has a rocky relationship with her mother Joan, an actress who has recently found success starring in a play. They fight sporadically and Lisa is ambivalent toward Joan's success in theater and her new boyfriend Ramon. Meanwhile, Lisa is in a back-and-forth discussion with her father over an upcoming trip to his home. Lisa's life takes various turns: she flirts with her math teacher, Aaron Caije, which later results in them having sex, her decision to lose her virginity to classmate Paul Hirsch, and various vehement debates with classmates about politics and terrorism. Much later, she tells Caije, in the presence of another teacher, that she had an abortion and was not sure who the father was, mentioning there were several possibilities.

Lisa confronts Maretti at his home. He pretends to have forgotten the details of the accident, but later reveals to her in anger that he does remember them, but believes he did nothing wrong. Lisa decides to pursue his firing with passion. Alongside Monica's best friend, Emily, and cousin, Abigail, Lisa ultimately becomes involved in a wrongful death lawsuit against the Metropolitan Transit Authority, seeking the dismissal of Maretti, who has caused two previous accidents, as well as monetary damages, which would be awarded to Abigail as Monica's next of kin.

Lisa and Emily become close, though the friendship is rocky, especially when they later have an argument where Emily accuses Lisa of using the situation to add drama to her life. Lisa, Joan, Emily, and Ramon attend an after show dinner, which ends with Ramon making a remark that Emily perceives as anti-Semitic. Joan and Ramon have a minor falling out and Ramon dies of a heart attack sometime after.

The lawsuit reaches a conclusion, with an award of $350,000, but the MTA refuses to fire Maretti, out of concern that it would inflame a labor dispute. Abigail claims the settlement offer, revealing the monetary settlement to have been her primary motivation; Lisa becomes very upset and emotionally confesses that she sees herself as Monica's killer.

Lisa and Joan attend an opera that Joan was to see with Ramon before his death. On the way, Lisa sees Maretti driving the same bus that had killed Monica and there is a brief moment where the two see each other. During the opera performance, Lisa bursts out crying as a result of the accumulated emotion from the everything that has happened and she and her mother affectionately reconnect, crying together and holding each other as the opera goes on.

Cast

Production

Filmed in 2005, the film's lengthy post-production sparked multiple lawsuits, which were scheduled to be tried in 2009. In July 2010, Fox Searchlight stated that Lonergan finally completed work on the film, and that it would be released in 2011.

In an interview with The Guardian, Longerman explained that Martin Scorsese intervened during a deadlock in the editing process. The theatrical release was based on a version submitted to Fox Searchlight in 2008 or 2009, which Longerman found unsatisfactory. He continued to work on his own version and suggested involving Scorsese to finalize the film collaboratively. Scorsese saw Longerman's original cut of the film and declared it a masterpiece before enlisting editor Thelma Schoonmaker to create a final version of the film. Fox Searchlight insisted on a two-and-a-half-hour runtime, which both Longerman and the studio struggled to achieve satisfactorily. With Scorsese's support, they produced a cut that was 12 minutes longer, but it was not approved by producer Gary Gilbert. Consequently, the shorter version was theatrically released. Longerman emphasized that the perceived length of a film is more important than its actual runtime, aiming to achieve the fullest realization of the film possible. He added that his approach to storytelling in the film aimed for a naturalistic rhythm that feels like real life, emphasizing the necessity of this method for a story about a teenager learning that the world doesn't revolve around her. Attempts to shorten the film to meet the required runtime compromised its integrity. He acknowledged that while he met his contractual obligations with a two-and-a-half-hour theatrical version, he was never fully satisfied with it. Legal issues prevented him from expressing his discontent publicly during the film's release. He advocated for the extended edition, which he felt better represented his vision despite some technical flaws he hoped to fix in the future.

Soundtrack

Original music was composed by Nico Muhly with additional cues by Elliott Carter. The film also features two scenes at the Metropolitan Opera, featuring "Casta diva" from Bellini's Norma, and "Belle nuit, ô nuit d'amour" (Barcarolle) from Jacques Offenbach's Les contes d'Hoffmann.

Reception

Critical response

Margaret has a 75% rating on Rotten Tomatoes, based on 102 reviews, with an average rating of 7.2 out of 10. The critical consensus states, "A surfeit of ideas contributes to Margaret's excessive run time, but Anna Paquin does an admirable job of guiding viewers through emotional hell." The film also holds a score of 61 out of 100 on Metacritic (based on 27 critics), indicating "generally favorable" reviews.

For her role as Lisa, Paquin shared the 2011 Best Actress Award from the London Film Critics Circle and received a nomination for Best Actress from the Chicago Film Critics Association. She placed first in critics' polls from the LA Weekly, the Village Voice, and the International Cinephile Society. On December 23, 2011, Fox Searchlight sent screeners of the film to AMPAS members.

Margaret earned five-star reviews from Time Out, The Daily Telegraph, and The Guardian. It then ranked 31st in a 2016 BBC poll of the 21st century's greatest films. In 2019, critic Richard Brody named it one of the 27 best movies of the decade. It continues to be considered a masterpiece by multiple publications.

Some critics have cited the film as an example of a great New York City movie and a portrait of a traumatized Manhattan in the wake of 9/11.

Box office

Despite being well received critically, Margaret was given a limited release in North America in 14 theaters and earned $46,495. In the UK, it debuted on only one screen in one cinema – Odeon Panton Street in London. Such was the interest in the film that it took £4,595 in its opening weekend, giving it by some margin the highest screen average of any film on release at the time. In France, it was shown on only one screen in one cinema – Publicis Champs Elysées in Paris. The worldwide total for the film was $623,292.

Home media

An extended cut of the film was released on DVD in July 2012 in both the UK and the US. The US release also includes a Blu-ray of the film featuring the theatrical cut in high definition.

References

  1. "MARGARET (15)". British Board of Film Classification. October 31, 2011. Archived from the original on December 12, 2019. Retrieved January 10, 2012.
  2. Margaret at Box Office Mojo
  3. ^ "Margaret". The Numbers. Archived from the original on October 26, 2021. Retrieved February 17, 2017.
  4. Lyne, Charlie (December 8, 2011). "If you go down to the Odeon Panton Street today ..." Ultraculture.co.uk. Archived from the original on January 11, 2012. Retrieved December 21, 2012.
  5. Gardner, Eriq (April 2, 2014). "Six-Year Legal Battle Over Kenneth Lonergan's 'Margaret' Finally Ends". The Hollywood Reporter. Archived from the original on February 11, 2021. Retrieved August 21, 2016.
  6. Nevins, Jake (January 16, 2018). "Oscar winner Kenneth Lonergan on director's cuts, Scorsese and studio battles". TheGuardian.com.
  7. ^ Landy, Tom (May 17, 2012). "'Margaret' Amazon Exclusive Blu-ray Announced". High Def Digest. Archived from the original on June 10, 2012. Retrieved July 8, 2012.
  8. ^ "The 21st Century's 100 Greatest Films". BBC. August 19, 2016. Archived from the original on August 17, 2021. Retrieved November 11, 2021.
  9. Horn, John (April 26, 2009). "Kenneth Lonergan's 'Margaret': post-production in a courtroom". Los Angeles Times. Archived from the original on October 29, 2009. Retrieved September 11, 2011.
  10. Labrecque, Jeff (July 9, 2012). "Kenneth Lonergan on the making of 'Margaret'". Entertainment Weekly. Archived from the original on September 16, 2015. Retrieved November 20, 2013.
  11. Thompson, Anne (July 22, 2010). "Black Swan Opens 67th Venice Biennale; American Films Expected; Where's Margaret?". Thompson on Hollywood. indieWIRE. Archived from the original on September 25, 2010. Retrieved October 21, 2010.
  12. ^ Cox, Danny (October 20, 2023). "Martin Scorsese Jumped In To Save a Mishandled Movie Masterpiece". Collider. Archived from the original on May 26, 2024. Retrieved January 1, 2025.
  13. Nevins, Jake (January 16, 2018). "Oscar winner Kenneth Lonergan on director's cuts, Scorsese and studio battles". The Guardian. ISSN 0261-3077. Retrieved January 1, 2025.
  14. "Margaret (2011)". Rotten Tomatoes. Archived from the original on October 20, 2016. Retrieved June 15, 2020.
  15. "Margaret". Metacritic. Archived from the original on March 26, 2021. Retrieved June 15, 2020.
  16. Pond, Steve (December 29, 2011). "Critics' Awards Round-Up: 'The Artist' Still on Top … for Now". The Wrap. Retrieved December 2, 2013.
  17. "ICS Sues Hollywood for A Separation". icsfilm.org. February 22, 2012. Archived from the original on December 16, 2013. Retrieved December 2, 2013.
  18. ^ Gant, Charles (December 8, 2011). "Arthur Christmas makes its presents felt at the box office". The Guardian. Retrieved December 8, 2011.
  19. Brody, Richard (November 26, 2019). "The 27 Best Movies Of The Decade". The New Yorker. Archived from the original on November 26, 2019.
  20. Kim, Kristen Yoonsoo (January 5, 2018). "'Margaret' Is the Coming-of-Age Masterpiece You Probably Missed". VICE. Retrieved January 1, 2025.
  21. "Margaret: The masterpiece that (almost) got away". Roger Ebert. December 14, 2012. Archived from the original on August 1, 2024. Retrieved January 1, 2025.
  22. "Archived copy". Archived from the original on January 31, 2024. Retrieved January 1, 2025.{{cite web}}: CS1 maint: archived copy as title (link)
  23. https://www.npr.org/2012/07/13/156611333/margaret-the-tortured-journey-of-a-girl-on-screen
  24. Yoonsoo Kim, Kristen (May 1, 2018). "'Margaret' Is the Coming-of-Age Masterpiece You Probably Missed". Vice. Archived from the original on November 12, 2021. Retrieved November 12, 2021.
  25. O'Hehir, Andrew (September 29, 2011). ""Margaret": The great NYC post-9/11 movie that crashed and burned". Salon. Archived from the original on November 12, 2021. Retrieved November 12, 2021.
  26. Sotinel, Thomas (August 27, 2012). "Margaret, de Kenneth Lonergan, le grand film qu'il ne faut pas aller voir". Le Monde (in French). Archived from the original on July 11, 2018. Retrieved February 26, 2022.
  27. Brooke, Michael (April 25, 2014). "DVD Review". Sight & Sound. Archived from the original on April 15, 2024. Retrieved October 14, 2023. This video release of a significantly longer cut that bears a much stronger resemblance to Lonergan's 2005 shooting script.

External links

Works by Kenneth Lonergan
Films written and directed
Films written only
Television
Plays
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